Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
102
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
103
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
104
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
105
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
106
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
107
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
108
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
109
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
110
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
111
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
112
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
113
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
114
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
115
unknown artist
Herstmonceux Castle
undated
116
John Godfrey
Herstmonceux Castle, Sussex Pl. 1
undated
117
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
118
Henry Shaw, 1800–1873
Italian Churches
undated
119
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
120
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
121
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
122
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
123
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
124
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
125
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
126
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
127
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
128
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
129
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
130
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
131
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
132
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
133
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
134
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
135
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
136
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
137
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
138
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
139
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
140
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
141
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
142
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
143
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
144
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
145
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
146
David Simson, 1803–1874
At Haddon Hall (view of fireplace)
1861
147
David Simson, 1803–1874
At Haddon Hall (window)
1861
148
David Simson, 1803–1874
Bidborough Kent
1863
149
David Simson, 1803–1874
At Tunbridge Wells (city street)
1863
150
unknown artist
Rushton Hall, Northamptonshire
ca. 1840
151
unknown artist
Design for a Wine Cooler
undated
152
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
153
unknown artist
Gate House Battle Abbey
undated
154
unknown artist
Design for a Classical House
undated
155
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
156
unknown artist
A Half-timbered House
ca. 1800
157
unknown artist
Paultons, Hampshire
undated
158
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
159
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
160
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
161
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
162
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
163
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
164
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
165
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
166
Richard Banks Harraden, 1778–1862
Downing College, Cambridge
1830
167
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
168
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
169
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
170
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
171
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
172
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
173
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
174
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
175
John Yenn, 1750–1821
Design for a Doorway
1781
176
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
177
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
178
unknown artist
Design for a Lamp
undated
179
unknown artist
Design for a Lamp
undated
180
unknown artist
Design for a Clock Case
undated
181
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
182
unknown artist
Design for a Saloon
undated
183
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: South Front of Military Knights Houses
1838
184
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
185
Thomas Malton, 1726–1801
North Front of the Chapel and Hall of Greenwich Hospital
ca. 1790
186
Thomas Malton, 1726–1801
The Great Courtyard of Carlton House
undated
187
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
188
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
189
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
190
Henry Bright, 1810–1873
Moonlight Scene on the Rhine
undated
191
James Bruce, 1730–1794
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
192
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
undated
193
Thomas Anburey, 1759–1840
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
194
Thomas Anburey, 1759–1840
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
195
George Henry Andrews, 1816–1891
The Dry Dock at Woolwich
1841
196
unknown artist
A View of Hyde Park from Ennismore Gardens
ca. 1830
197
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
198
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
undated
199
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas