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1
- The Ferry
- ca. 1840
2
- Figures at Mass, Poland
- ca. 1904
3
- Under the Hammer
- between 1912 and 1913
4
- Crocks
- ca. 1924
5
- The Bayhorse, Tattersall’s
- 1921
6
- Ploughing the Hillside
- ca. 1905
7
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
8
- Sale at Ward's Repository, No. 2
- ca. 1918
9
- Over the Bank, Exmoor
- ca. 1895
10
- Timber Hauling
- ca. 1917
11
- The Horse Mart (with further sketches in the margin)
- ca. 1918
12
- Human Figure, Lateral View
- 1795 to 1806
13
- Grotesque Male Head
- undated
14
- Grotesque Male Head
- undated
15
- Grotesque Male Head
- undated
16
- The First Stage of Cruelty
- ca. 1750
17
- Grotesque Male Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Gabriel Hunt
- undated
24
- Folkestone Harbour and Coast to Dover
- ca. 1829
25
- Teignmouth, Devonshire
- ca. 1813
26
- Rome from Monte Mario
- ca. 1818
27
- Near Suez, evening, 15 January 1849 (43)
- 1849
28
- Opposite Beni Hassan
- 1867
29
- Howatke
- 1867
30
- Silsilis
- 1854
31
- Val di Roppa, Corfu, 22 May 1868
- 1868
32
- Seated Men
- 1867
33
- Studies of Camels and Egyptian Men
- 1867
34
- Miranda, Prospero, and Caliban: The Tempest
- undated
35
- Bacchanalian Scene (Possibly Antediluvian)
- undated
36
- Samson Overpowered
- undated
37
- Two Men Fighting
- undated
38
- Prison Scene
- undated
39
- The Accusation of Susanna
- ca. 1773
40
- Sketches for "The Accusation of Susanna"
- undated
41
- Howard Visiting a Prison
- undated
42
- David before Saul
- undated
43
- Howard Visiting a Prison
- undated
44
- Prison Scene
- undated
45
- Howard Visiting a Prison
- undated
46
- The Banquet Scene
- ca. 1792
47
- Howard Visiting a Prison
- undated
48
- Howard Visiting a Prison
- between 1790 and 1794
49
- The Two Friends
- undated
50
- Lear Awakened by Cordelia
- between 1774 and 1775
51
- Three Sketches of a Man in Uniform
- undated
52
- The Accusation of Susanna by the Elders
- undated
53
- David Playing the Harp
- undated
54
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
55
- Prison Scene
- undated
56
- Prison Scene
- undated
57
- Prison Scene
- undated
58
- Howard Visiting a Prison
- undated
59
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
60
- The Shepherd, from Songs of Innocence
- ca. 1795
61
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
62
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
63
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
64
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
65
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
66
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
67
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
72
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
73
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
74
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
75
- The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
- 1794
76
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
77
- America. A Prophecy, Plate 2, Title Page
- 1793
78
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
79
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
80
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
81
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
82
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
83
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
84
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
85
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
86
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
87
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
88
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
89
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
90
- America. A Prophecy, Plate 1, Frontispiece
- 1793
91
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
92
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
93
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
94
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
95
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
96
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
97
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
98
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798