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Materials & Techniques black ink
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1
- The Timber Wain
- between 1833 and 1834
2
- Grotesque Male Head
- undated
3
- Leeds
- 1816
4
- Rome from Monte Mario
- ca. 1818
5
- Near Khan Yunas
- 1867
6
- Howard Visiting a Prison
- between 1790 and 1794
7
- Spring, from Songs of Innocence
- ca. 1795
8
- The Shepherd, from Songs of Innocence
- ca. 1795
9
- Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
- ca. 1888
10
- Change
- undated
11
- Be it ever so Humble, There's no place like Home
- undated
12
- Study for Fishermen and Bathers
- ca. 1951
13
- The Arrival of Ferries at London Bridge (?)
- undated
14
- The Village of Kirkstall, Yorkshire
- 1801
15
- Chalfont Lodge, Buckinghamshire
- undated
16
- Haymaking
- undated
17
- Rou Water Holder
- undated
18
- Necklaces
- undated
19
- The Contented Miller
- undated
20
- Administering the Oath at Highgate
- undated
21
- The Travelling Show Man
- undated
22
- Sir Violet Sighaway & Mr. Villiers
- undated
23
- Palankeen Bearers
- 1828
24
- The Basket Maker
- 1828
25
- Air Man, July 10, 1828
- 1828
26
- The Hall, Rugby School
- undated
27
- A Coat of Arms for a Stamp on Income
- undated
28
- Utensils
- ca. 1790
29
- Keilghee or Ornament for Horses Forelock
- undated
30
- Bucks of the First Head
- ca. 1785
31
- The Recruiting Officer
- 1797
32
- The Thatched Cottage
- undated
33
- Night Despatch Rider - Tea in a Café
- 1943
34
- A Sailing Barge being loaded with Hay, December 1827
- 1827
35
- The Great Court, Trinity College, Cambridge
- undated
36
- The Murder of Kenith Hossack by Captain Lowry
- undated
37
- Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
- undated
38
- Study of a Kid
- 1796
39
- The Rustic Lover
- 1786
40
- Donnybrook Fair
- 1788
41
- Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
- undated
42
- The Pursuit (Probably a Design for The Tyburn Chronicle)
- undated
43
- Frieze of a Medieval Wedding
- undated
44
- The Theatre-Goers
- undated
45
- Soldiers and Country Women
- undated
46
- The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
- undated
47
- Group of Three Young Women
- undated
48
- The Gypsy Fortune-Teller
- ca. 1758
49
- A Group of Men on Westminster Pier
- ca. 1752
50
- Playing at Dice, Trepani
- between 1780 and 1790
51
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
52
- The Smock Exposed
- 1817
53
- Hogarth Drawing Sarah Malcolm
- 1817
54
- The Reconcilation
- 1817
55
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
56
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
57
- Hogarth Sitting to Roubiliac for His Bust
- 1817
58
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
59
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
60
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
61
- The Eleventh Hour
- 1817
62
- Design in Color for a Bookplate
- undated
63
- Design for a Medal: Growing Arts Adorn Empire, Caroline Protecting
- ca. 1736
64
- Design for Medal: Both Hands Fil'd for Britain
- undated
65
- Interior Scene with Family at Tea
- undated
66
- The Offer
- undated
67
- An Old Fisherwoman with Two Women Digging for Bait
- undated
68
- Rustic Scene: man fishing, left; cottage with water-mill and horses right
- undated
69
- Illustration to the Virtuous Orphan
- undated
70
- Country Scene: Cottage and Figures on a Winding Road
- undated
71
- The Village of Aldbury, Hertfordshire
- 1816
72
- A Raree Show
- between 1792 and 1793
73
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
74
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
75
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
76
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
77
- Street Scene at Stratford by Bow
- undated
78
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
79
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
80
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
81
- A Fireworks Display
- undated
82
- Three Ladies Standing on a Terrace
- undated
83
- A Youth in a Farmyard with Pigs and Poultry
- undated
84
- A Family in Hyde Park
- undated
85
- An Encampment in Flanders
- ca. 1747
86
- Fisherfolk with Baskets and Nets
- undated
87
- Preparing to lay eel traps
- undated
88
- An Eclipse in Harvest Time
- undated
89
- The Assignation
- undated
90
- The Search after Truth
- undated
91
- The Steine, Brighton
- 1787
92
- The Spoiled Child, Scene V
- ca. 1802
93
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
94
- Adelaide
- between 1785 and 1786
95
- The Spoiled Child, Scene I
- ca. 1802
96
- The Spoiled Child, Scene IV
- ca. 1802
97
- The Greengrocer
- ca. 1819
98
- The Meat Market
- undated
99
- The Spoiled Child, Scene II
- ca. 1802
100
- The Spoiled Child, Scene III
- ca. 1802