Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
undated
28
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
29
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated
30
James Lewis, 1751–1820
Design for a Country House
undated
31
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
32
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
33
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
34
Peter Casteels, 1684–1749
Feeding Ducks
undated
35
Thomas Stothard, 1755–1834
Tree Study
undated
36
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
37
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
38
Edward Francis Burney, 1760–1848
Horse Cart
undated
39
Edward Francis Burney, 1760–1848
Pastural
undated
40
Edward Francis Burney, 1760–1848
Chepstow Castle
undated
41
Edward Francis Burney, 1760–1848
Country House
undated
42
Edward Francis Burney, 1760–1848
Road in the Forest
undated
43
Edward Francis Burney, 1760–1848
The Bridge
undated
44
Edward Francis Burney, 1760–1848
View near Bristol
undated
45
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
46
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
47
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
48
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
49
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of Indians
undated
50
Edward Francis Burney, 1760–1848
Pamphilia
undated
51
Edward Francis Burney, 1760–1848
Bacchanalia
undated
52
Edward Francis Burney, 1760–1848
Design for Monument to Dyde and Scribe
undated
53
Edward Francis Burney, 1760–1848
Gross Study for St. Paul at Ephesus
undated
54
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
55
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
56
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
57
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
58
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
59
Edward Francis Burney, 1760–1848
Pamphilia
undated
60
Edward Francis Burney, 1760–1848
Erato and Pan
undated
61
Edward Francis Burney, 1760–1848
Venus and Cupid
undated
62
Edward Francis Burney, 1760–1848
Design for Commemorative Medallion for Simon Bolivar
undated
63
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
64
Edward Francis Burney, 1760–1848
Bacchanalia
undated
65
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
undated
66
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
67
William Collins, 1788–1847
Dartmouth
undated
68
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
69
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
70
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
71
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
72
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
73
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
74
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
75
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
76
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
77
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
78
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
79
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
80
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
81
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
82
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
83
George Chinnery, 1774–1852
A River in Ceylon
undated
84
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
85
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
86
unknown artist
A Carriage
1825
87
Philip William May, 1864–1903
The Dog Cart
undated
88
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
89
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
99
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster