King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
1302
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
1303
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
1304
Print made by Matthew Darly, active 1754–1778
Matthew Darly
1775
1305
Sir George Hayter, 1792–1871
Sir George Hayter
1822
1306
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
1307
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
1308
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
1309
Francesco Bartolozzi, 1728–1815
Adelaide
1798
1310
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
1311
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
1312
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
1313
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
1314
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
1315
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1316
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1317
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
1318
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Guadagni
1767
1319
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1778
1320
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
1321
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
1322
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
1323
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1769 and 1787
1324
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
1325
Francesco Bartolozzi, 1728–1815
Orpheus and Eurydice
1326
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
1327
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
1328
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
1329
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
1330
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
1331
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
1332
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
1333
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
1334
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
1335
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
1336
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
1337
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
1338
Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
1339
Samuel Freeman, 1773–1857
Samuel Johnson
1813
1340
George Murray, died 1822
Samuel Johnson
1341
Francesco Bartolozzi, 1728–1815
Samuel Johnson
1785
1342
Samuel Freeman, 1773–1857
Samuel Johnson
1813
1343
Samuel Freeman, 1773–1857
Samuel Johnson
1812
1344
John Scott, 1774–1828
Samuel Johnson
1813
1345
Samuel Freeman, 1773–1857
Samuel Johnson
1819
1346
Samuel Freeman, 1773–1857
Samuel Johnson
1812
1347
Print made by Francesco Bartolozzi, 1728–1815
Samuel Johnson
1785
1348
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
1349
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
1350
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
1351
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
1352
Print made by unknown artist
Richard Cosway
1788
1353
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
1354
Print made by Thomas Chambars, ca. 1724–1789
Sir Nathaniel Bacon
ca. 1793
1355
Print made by Richard Cooper the Younger, 1740–1814
Sir William Beechey, R. A
1814
1356
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
1357
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
1358
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
1359
Print made by T. Evans, active 19th century
Horatio Walpole, Earl of Orford
ca. 1811
1360
after George Baxter, 1804–1867
The Death of Ananias
after 1855
1361
Print made by George Baxter, 1804–1867
The Conversion of the Proconsul
after 1855
1362
after George Baxter, 1804–1867
The Miraculous Draught of Fishes
after 1855
1363
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
1364
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
1365
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
1366
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
1367
George Baxter, 1804–1867
St Paul Preaching in Athens
after 1855
1368
Print made by unknown artist
Edward Duke of Kent, Father of Her Majesty Queen Victoria
after 1837
1369
Print made by Francesco Bartolozzi, 1728–1815
A Lecture on Gadding
1789
1370
John Raphael Smith, 1752–1812
A Maid - Une Pucelle
1791
1371
Print made by Daniel Orme, 1766–1837
The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
1793
1372
John Raphael Smith, 1752–1812
A Widow - Une Veuve
1791
1373
John Raphael Smith, 1752–1812
A Wife - Une Femme Mariee
1791
1374
John Raphael Smith, 1752–1812
What You Will - Ce Qui Vous Plaira
1791
1375
Print made by William Ward, 1766–1826
Thoughts on Matrimony
1786
1376
Conrad Martin Metz, 1749–1827
Christ the Judge and Saints John the Baptist and Abel
1801
1377
Print made by Thomas Gaugain, 1748–1812
Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
1796
1378
Print made by Jacobus Houbraken, 1698–1780
Thomas Wentworth, 1st Earl of Stratford
1740
1379
Print made by unknown artist
Edward Montague Lord Kimbolton
ca. 1740
1380
Print possibly made by George Vertue, 1684–1756
William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
1713
1381
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
undated
1382
Pierre-Joseph Redouté, 1759–1840
Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816
undated
1383
Pierre-Joseph Redouté, 1759–1840
Galazia Ovata / Galaxia à Feuilles Ovales, Plate 246 from Les Liliacées, volume 5, Paris, 1802-1816
undated
1384
Pierre-Joseph Redouté, 1759–1840
Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816
between 1802 and 1816
1385
after George Baxter, 1804–1867
The Miraculous Draught of Fishes
after 1855
1386
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
1387
Print made by Robert Cooper, ca. 1800–1836
Mr. Wilkinson as Michael in Free & Easy
1822
1388
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
1389
Isaac Jehner, 1750–c.1806
William Canynges
undated
1390
George Siegmund Facius, 1750–1804
George III
1791
1391
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
1392
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
1393
John Romney, 1786–1863
Francesco Bartolozzi, Esqr. R.A
1795
1394
Thomas Harland, active early 19th century
Charles Barry
undated
1395
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence
1810
1396
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
1397
unknown artist
Henry Fuseli, Esq
1808
1398
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
1399
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny