Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 35

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberries

1795

Print made by William Bernard Cooke, 1778–1855

Winchelsea

1816 to 1820

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1816

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816 to 1820

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1816

Print made by Caroline Watson, 1760–1814

Contemplation

1790

Simon Gribelin, 1662–1733

Sir James Butler, 2nd Duke of Ormonde

1713

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by James Parker, 1750–1805

The Fall of Agandecca

1783

Print made by James T. Willmore, 1800–1863

Mercury and Argus

between 1859 and 1861

Print made by Francesco Bartolozzi, 1728–1815

Angelica Kauffman

1780

William Camden Edwards, 1777–1855

Nicholas Revett

1827

Print made by Arthur Pond, ca. 1705–1758

Monks in a Garden

1740

George Vertue, 1684–1756

Johannes Potter, Archiepiscopus Cantuariensis

1741

Jacobus Houbraken, 1698–1780

Lieutenant General Thomas Talmash

undated

unknown artist

Sir Walter Raleigh

undated

George Vertue, 1684–1756

Sir Philip Sidney

1741

Print made by Caroline Watson, 1760–1814

Contemplation

1790

Thomas Malton the Younger, 1748–1804

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Charles Exshaw, c. 1730–1771

Charles van Loo

ca. 1757

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

Valentine Green, 1739–1813

St. Augustine's Gate, Canterbury

1779

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by George T Doo, 1800–1886

Sir Charles Eastlake, R. A

1873

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

Print made by Robert Kearsley Dawson, 1798–1861

Map of Worcestershire Showing Western and Eastern Divisions

undated

Print made by William O'Keefe, active 1794–1807

A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

1796

Edward Harding, 1755–1840

Sir John Medina

1797

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by Henry Heath, active 1824–1835

Miss-Ann-Thropy

undated

Print made by Robert Blyth, 1750–1784

The Captive

1781

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Joseph Haynes, 1760–1829

Banditti

1780

George C. Finden, 1811–1885

A Mythological Battle

1853

Paul Sandby, 1731–1809

The Opening of the Carnival at Rome

ca. 1781

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

William Dickinson, 1746–1823

The Deserter

1784

James Gillray, 1756–1815

Citizens Visiting the Bastille, - Vide. Democratic Charities. -

1799

James Gillray, 1756–1815

Delicious Weather

1808

James Gillray, 1756–1815

Delicious Dreams! Castles in the Air! Glorious Prospects!

1808

John Keyse Sherwin, c.1751–1790

James Macpherson

1775

Joseph Goupy, 1689–1769

Romanus sum Civis

1726

James Gillray, 1756–1815

Sketch of the Interior of St. Stephen's, as It Now Stands. -

1802

James Gillray, 1756–1815

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

Jacobus Houbraken, 1698–1780

John Churchill, 1st Duke of Marlborough

1745

Print made by Frederick Bacon, 1803–1887

The Penitent

between 1842 and 1887

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 35

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 35

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