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Materials & Techniques gray ink
Remove constraint Materials & Techniques: gray inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centuryWork Type drawing
Remove constraint Work Type: drawingSearch Results
1
- Study of the Head of a Young Man
- undated
2
- Satan Approaching the Court of Chaos
- 1784 to 1785
3
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
4
- Italianate Landscape with Travellers no. 2
- ca. 1760
5
- The Flagship of a Commander in Chief
- undated
6
- Tassisudon
- 1783
7
- The Colosseum, Rome
- undated
8
- Colosseum, Rome, with Arch to the Left
- after 1770
9
- Cobham Hall, Kent: Windows in Dairy
- 1795
10
- Rocky River Scene with Sepoys
- undated
11
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
12
- Design for Court of Edinburgh University
- 1779
13
- Gateway and Facade of a House
- undated
14
- Harbledown, a Village near Canterbury
- 1757
15
- The Ruins of Carthage
- ca. 1769
16
- A Design of Masks
- 1710
17
- Plan of the Mesquita of Cordova
- 1775 to 1776
18
- Landscape with Lake and Figures on a Rocky Road
- 1777
19
- Kenilworth Castle, with Figures on the Hillside
- undated
20
- Britannia in Distress
- 1756
21
- Bucks of the First Head
- ca. 1785
22
- Lowther House, Westmorland: Elevation of the Court Front
- between 1718 and 1729
23
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
24
- Unidentified Office or Stables: Front Elevation
- ca. 1720
25
- Lake Nemi
- 1776
26
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
27
- Landing Place at Pallanza
- undated
28
- Port d'Arona
- 1795
29
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
30
- Two Frigates before the Wind
- undated
31
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
32
- Scenery, Haymarket Theatre
- undated
33
- Firing a Salute
- 1770
34
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
35
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
36
- North East View of Mr. Hare's New House
- 1783
37
- Herstmonceux Castle, Sussex
- undated
38
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
39
- Design for the Parterre at Hampton Court
- early 18th century
40
- Unidentified Town House: Front Elevation
- undated
41
- The Mansion House
- undated
42
- Lambeth Palace from Across the River
- undated
43
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
44
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
45
- Elevations of a Room
- undated
46
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
47
- Flight of James II
- undated
48
- The Acacia Tree - Figures in a Park
- undated
49
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
50
- Tivoli
- ca. 1768
51
- Design for a Shop Front: Elevation
- undated
52
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
53
- Design for a Circular Domed Temple: Elevation
- undated
54
- Tree Study with Stags (Landscape)
- undated
55
- View of Bath from Spring Gardens
- 1790
56
- The Open-Air Preacher
- undated
57
- Farmyard Animals: Tribulation
- 1797
58
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
59
- London Cries: Flowers
- undated
60
- Docks, September 6, 1777
- 1777
61
- The Recruiting Officer
- 1797
62
- Political Caricature: "The Spiritualists"
- undated
63
- An Egyptian Vulture
- Undated
64
- Haymaking
- 1792
65
- Position pour la Garde en Quarte
- 1763
66
- Premiere Position pour tirer L'Epée
- 1763
67
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
68
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
69
- Position pour la Garde en Tierce
- 1763
70
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
71
- Seconde Position du Salut
- 1763
72
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
73
- Cinquieme Position du Salut
- 1763
74
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
75
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
76
- De la Parade de Seconde sur le Coup de Seconde
- 1763
77
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
78
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
79
- De la Parade Dequinte sur le Coup de Quinte
- 1763
80
- De la Parade de Prime sur le Coup de Seconde
- 1763
81
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
82
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
83
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
84
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
85
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
86
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
87
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
88
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
89
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
90
- The Gate at Blenheim
- 1787
91
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
92
- Westminster Bridge from Lambeth Walk
- undated
93
- The Purple Heron
- Undated
94
- Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
- ca. 1750
95
- View of a Valley with Ruins at Sardis
- ca. 1750
96
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
97
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
98
- The Gunpowder Magazine, Hyde Park
- ca. 1793
99
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
100
- A View of Rome Taken from the Pincio
- 1776