Materials & Techniques: gray wash and pen / Creator Gender: male / Image Available: Available / Image Use: Free to Use

1. Trees and Deer

Creator:: John Constable, 1776–1837
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown and gray wash on medium, rough, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 7/8 inches (28.9 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Cornfields with Barn, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Pen and brown ink with gray wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Cottage among Trees, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 7 1/2 inches (27.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Opening the Fold: Early Morning

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1880
Materials & Techniques:: Graphite, gray wash, and pen and black ink, squared for transfer on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 1/4 x 5 7/8 inches (10.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Primitive Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and dark brown ink and gray wash on medium, moderately textured, cream heavy wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Capo Sant' Angelo, Amalfi

Creator:: Edward Lear, 1812–1888
Date:: ca. 1885
Materials & Techniques:: Pen in gray and black ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 13/16 x 13 1/8 inches (22.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Wady Feiran, Peninsula of Mt. Sinai

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Gray wash, with pen and gray ink, brown ink, and graphite, with scratching out on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 3/4 × 20 5/8 inches (32.4 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. John Henderson as Falstaff

Creator:: George Romney, 1734–1802
Date:: 1780
Materials & Techniques:: Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

16. Shepherdess Cutting an Inscription on a Tree

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink; verso: gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 3/8 inches (32.1 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

17. Sketches for "The Accusation of Susanna"

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 16 5/8 inches (27.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

18. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

19. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

20. Prison Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

21. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/4 inches (36.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

22. River God

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

23. Borghese Gladiator

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

24. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Bocas from the Old Fort, Macqueripe

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, gouache, graphite, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Cedros Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Cottage, Residence of the Governor

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite, gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Riverside, St. Joseph

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Pitch Lake

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Avenue and Entrance to St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View from Laventille Hill

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Forest Scenery near Tamana

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Los Gallos, Icacos Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Corbeaux Town, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Residence at Orange Grove Estate, Tacarigua

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Wooded Landscape with Cattle, Figures and a House

Creator:: Charlotte Warren, 18th century
Date:: undated
Materials & Techniques:: Brown wash, gray wash, black wash, graphite, black chalk, pen and black ink, and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 1/2 inches (26.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Flagship of a Commander in Chief

Creator:: Charles Brooking, 1723–1759
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 13/16 × 18 1/2 inches (30 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family

Creator:: Robert Byng, 1666–1720
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/4 x 11 1/8in. (37.5 x 28.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Capriccio of a Venetian Courtyard

Creator:: Follower of Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ruins of the Savoy Palace, London

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Cobham Hall, Kent: North Elevation of South Wing

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Langford House, Dublin, Ireland: Great Room Ceiling

Creator:: Robert Adam, 1728–1792
Date:: 1765
Materials & Techniques:: Pen and black ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 16 1/4 inches (28.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Headfort House, Ireland: Section of the Staircase

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 1/2 inches (54 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Langford House, Dublin, Ireland: Elevations of Room Facing the Garden

Creator:: Robert Adam, 1728–1792
Date:: 1765
Materials & Techniques:: Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:: Sheet: 28 7/16 x 20 9/16 inches (72.3 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Headfort House, Ireland: Ceiling of the Front Hall

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black and brown ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 inches (36.5 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Headfort House, Ireland: Staircase Ceiling

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Headfort House, Ireland: Section of the Staircase

Creator:: Robert Adam, 1728–1792
Date:: 1771 or 1772
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 1/2 inches (54 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Headfort House, Ireland: Section of the Staircase

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Headfort House, Ireland: Section of the Staircase

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street

Creator:: Robert Adam, 1728–1792
Date:: 1765
Materials & Techniques:: Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on canvas
Dimensions:: Sheet: 20 3/8 x 28 15/16 inches (51.8 x 73.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Headfort House, Ireland: Section of One End of the Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Headfort House, Ireland: Elevations of the Front Hall

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Pen with black ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on canvas
Dimensions:: Sheet: 36 1/8 x 23 15/16 inches (91.8 x 60.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Headfort House, Ireland: Section of One End of the Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. How to Ride without a Bridle

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. An English Man-of-War, Port View from the Stern

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/4 x 26 7/16 inches (43.8 x 67.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of Shershah's Tomb at Sasaram in Bihar

Creator:: Samuel Davis, 1760–1819
Date:: ca. 1779
Materials & Techniques:: Watercolor, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 24 1/16 × 33 inches (61.1 × 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 15/16 x 11 5/8 inches (37.9 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Elevation and Plan of Arch at Makther

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/8 × 19 1/8 inches (64.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Elevation of Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 5/8 × 39 inches (65.1 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Tomb de la Chretienne/ Juba and Cleopatra

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Ionic Temple Ptolmeta

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Gray wash, pen and black ink, and graphite on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 13 11/16 × 17 3/8 inches (34.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Panorama of Bristol

Creator:: Francis Place, 1647–1728
Date:: 1678
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 5/8 × 19 1/2 inches (19.4 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Plan of the Temple of Neptune the King

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 13/16 x 19 1/8 inches (30 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Ruins of Carthage

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/16 × 38 1/4 inches (64.3 × 97.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. General Joseph Sabine

Creator:: Attributed to Edward Byng, c. 1676–1753
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, and gray wash on thin, slightly textured, beige wove paper, mounted to medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 3/4 × 10 1/4 inches (29.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. A Mountain Landscape with a Shepherd

Creator:: John Renton, 1774–c.1841
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Interior of the Brandenburg House Theatre, Hammersmith

Creator:: Henry Wigstead, ca. 1745–ca. 1800
Date:: ca. 1792
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Plan of the Mesquita of Cordova

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 7/16 inches (28.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Nottingham Castle

Creator:: Paul Sandby, 1731–1809
Date:: 1759
Materials & Techniques:: Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 14 3/8 inches (14 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Duckinfield, Cheshire

Creator:: John Skippe, 1741–1812
Date:: 1772
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 14 7/8 inches (21 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Tivoli Above the Casade

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1758
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Man Beside a Stile

Creator:: John Thomas Smith, 1766–1833
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 9 1/2 inches (22.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Family Cooking Under A Tree

Creator:: John Thomas Smith, 1766–1833
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 7 3/8 inches (27.6 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Britannia in Distress

Creator:: Anthony Walker, 1726–1765
Date:: 1756
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Study of Trees

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 3/4 inches (17.8 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Neptune

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 11/16 inches (18.7 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Design for a Gothic Screen

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, smooth, gray wove paper
Dimensions:: Sheet: 7 7/8 × 4 5/8 inches (20 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Cobham Hall, Kent: West Elevation of South Wing

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Cobham Hall, Kent: Unidentified Plan

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 1/4 × 14 inches (41.3 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 27 1/2 x 21 1/2 inches (69.9 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Plans of Ancient Roman Baths: Terme del Imp. Diocleziano

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with watercolor and pen and black ink over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Plans of Ancient Roman Baths - Terme de M Agrippa

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with and pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Queen's College, Oxford: Plan and Elevation of Hall and Chapel

Creator:: William Townesend, 1676–1739
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 x 23 3/4 inches (45.1 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Plans of Ancient Roman Baths: Terme Antoniane

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques gray wash

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1. Trees and Deer

2. An Ancient Barn at Shoreham

3. Cornfields with Barn, Shoreham

4. A Shepherd and his Flock under the Moon and Stars

5. A Cottage among Trees, Shoreham

6. Opening the Fold: Early Morning

7. The Primitive Cottage, Shoreham

8. Grotesque Female Head

9. Grotesque Female Head

10. Study for the Foundlings

11. The Capo Sant' Angelo, Amalfi

12. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

13. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

14. Wady Feiran, Peninsula of Mt. Sinai

15. John Henderson as Falstaff

16. Shepherdess Cutting an Inscription on a Tree

17. Sketches for "The Accusation of Susanna"

18. Howard Visiting a Prison

19. Howard Visiting a Prison

20. Prison Scene

21. Howard Visiting a Prison

22. River God

23. Borghese Gladiator

24. Moses Receiving the Law

25. The Bocas from the Old Fort, Macqueripe

26. Cedros Bay

27. The Cottage, Residence of the Governor

28. Riverside, St. Joseph

29. The Pitch Lake

30. Avenue and Entrance to St. James Barracks

31. View from Laventille Hill

32. Forest Scenery near Tamana

33. Los Gallos, Icacos Bay

34. Corbeaux Town, Port of Spain

35. Residence at Orange Grove Estate, Tacarigua

36. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

37. Hogarth Declaring His Love to Miss Thornhill

38. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

39. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

40. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

41. The Reconcilation

42. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

43. Wooded Landscape with Cattle, Figures and a House

44. The Flagship of a Commander in Chief

45. Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family

46. Capriccio of a Venetian Courtyard

47. Ruins of the Savoy Palace, London

48. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

49. The Smock Exposed

50. Cobham Hall, Kent: North Elevation of South Wing

51. Langford House, Dublin, Ireland: Great Room Ceiling

52. Headfort House, Ireland: Section of the Staircase

53. Langford House, Dublin, Ireland: Elevations of Room Facing the Garden

54. Headfort House, Ireland: Ceiling of the Front Hall

55. Headfort House, Ireland: Staircase Ceiling

56. Headfort House, Ireland: Section of the Staircase

57. Headfort House, Ireland: Section of the Staircase

58. Headfort House, Ireland: Section of the Staircase

59. Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street

60. Headfort House, Ireland: Section of One End of the Parlor

61. Headfort House, Ireland: Elevations of the Front Hall

62. Headfort House, Ireland: Section of One End of the Parlor

63. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

64. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

65. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

66. Hogarth Sitting to Roubiliac for His Bust

67. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

68. How to Ride without a Bridle

69. Sketch for the Oil Painting "The Conversion of St. Paul"

70. An English Man-of-War, Port View from the Stern

71. View of Shershah's Tomb at Sasaram in Bihar