Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
3
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
4
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
5
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
7
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
8
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
9
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
10
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
11
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
12
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
13
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
14
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
15
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
16
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
17
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
18
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
19
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
20
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
21
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
22
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
23
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
24
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
25
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
26
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
27
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
28
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
29
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
30
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
31
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
32
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
33
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
34
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
35
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
36
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
37
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
38
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
39
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
40
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
41
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
42
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
43
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
44
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
45
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
46
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
47
George Knapton, 1698–1778
Portrait of a Young Man
undated
48
Attributed to Sir Godfrey Kneller, 1646–1723
Head of a Man
1732
49
unknown artist
Portrait of John Locke, The Philosopher
after 1704
50
unknown artist
Unidentified Sitter
undated
51
unknown artist
Head of a Young Man
undated
52
Ozias Humphry, 1742–1810
Mrs. James Paine, Newman Street
1781
53
Verso by John Talman, 1677–1726
Studies, with Gardens, Possibly for a Talman Family House
undated
54
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
55
Charles Ginner, 1878–1952
The House without Windows
undated
56
Augustus Edwin John, 1878–1961
Self Portrait
ca. 1897
57
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
58
Francis Hayman, 1707/8–1776
Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
undated
59
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
60
unknown artist
Man in Egyptian Dress
undated
61
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
62
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
63
Giles Hussey, 1710–1788
Head of a Man with Stubble Beard, Facing Right
undated
64
Ozias Humphry, 1742–1810
Countess Poulett
undated
65
Attributed to Domenico Mondo, 1723– c.1808
Study for Ceiling: Apollo and other Figures
undated
66
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
67
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
68
unknown artist
Two Sleeping Dogs
undated
69
unknown artist
Woman with Square Hat
undated
70
Attributed to George Vertue, 1684–1756
Portrait of John Dixon, Facing Right
undated
71
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
72
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
73
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
74
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
75
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
76
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
77
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
78
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
79
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
80
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
81
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
82
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
83
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
84
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
85
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
86
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
87
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
88
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
89
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
90
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
91
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
92
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
93
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
94
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
95
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
96
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
97
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
98
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
99
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '