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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorMaterials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsSubject Terms woman
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1
- Oberon and Titania
- 1837
2
- A Great Tree
- ca. 1796
3
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
4
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
5
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
6
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
7
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
9
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
10
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
11
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
12
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
13
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
14
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
16
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
17
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
18
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
19
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
22
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
23
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
24
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
25
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
26
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
27
- Mary Magdalen at the Sepulchre
- ca. 1805
28
- Italianate Landscape with Travellers no. 2
- ca. 1760
29
- Street Scene at Stratford by Bow
- undated
30
- London Cries: Last Dying Speech and Confession
- ca. 1759
31
- A Fisherwoman, Hands under Apron
- undated
32
- The Monnow Bridge, Monmouthshire
- before 1814
33
- Extensive wooded landscape with figures in foreground left
- Undated
34
- Interior of a Gothic Church
- undated
35
- A Seated Peasant Woman Seen From Behind
- undated
36
- A Peasant Woman, Standing, Seen From Behind
- undated
37
- Studies of Tradesmen and Grooms
- undated
38
- Girl in a Brown Dress
- undated
39
- Druidical Stone at Strather, near Barvas, Isle of Lewis
- undated
40
- The Meat Market
- undated
41
- The Poultry Market
- undated
42
- A Dancer
- ca. 1836
43
- Enter Malvolio, Crossgartered..
- 1863
44
- A London Street Crier
- undated
45
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated
46
- Hero and Leander
- 1801
47
- Faust and Margaret
- undated
48
- A Regency Pair
- 1802
49
- The Cheesecake House, Hyde Park
- ca. 1795
50
- Romantic Landscape
- ca. 1830
51
- A Greek Girl Standing on a Balcony
- 1840
52
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
53
- Incantation Scene
- undated
54
- Evening
- 1828
55
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
56
- Woman with Child
- undated
57
- A Lady Reading
- ca. 1835
58
- Landscape with Courting Couple
- 1839
59
- Prospero Summoning Ariel
- ca. 1800
60
- Cottage and Foot Bridge
- 1794
61
- Portrait Study of a Girl
- ca. 1823
62
- The Lecture House, Watford
- ca. 1820
63
- Aldenham Church
- ca. 1817
64
- A Regency Pair: Man with Walking Stick
- 1802
65
- Woman Carrying Baskets
- undated
66
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
67
- Beside the Lily-Pond
- 1869
68
- Woodcutter and His Family
- undated
69
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
70
- A Goose and a Baboon
- undated
71
- Design for a Country House
- ca. 1840
72
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
73
- Drifting
- 1885
74
- Cavalier and Maid in Spanish Costume
- undated
75
- The Vine Inn, Vine Yard, Aldersgate in the City of London
- undated
76
- Window West End, South Aisle, Saint Vincent
- undated
77
- Interior of a Gothic Church
- undated
78
- A Seated Peasant Woman
- before 1841
79
- Devoted Wife
- undated
80
- Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
- 1822
81
- The Thatched Cottage
- undated
82
- Peasants Resting
- 1795
83
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
84
- Seated Woman
- undated
85
- A Regency House
- ca. 1820
86
- The Spoiled Child, Scene III
- ca. 1802
87
- View of the Bridge over Uduanulla, near Rahamahal, Bihar
- undated
88
- Brighton Town and Church
- ca. 1780
89
- Couple in a Farmyard
- 1782
90
- La Mancha
- 1828
91
- Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
- undated
92
- Brass Plate of a Woman from Layton Church
- between 1796 and 1811
93
- Saint Cuthbert's Holy Island
- 1797
94
- Female Nude and Horse
- ca. 1925
95
- Melville Castle, Midlothian
- ca. 1796
96
- Cottage near Newcastle, Northumberland
- ca. 1797
97
- Mrs. Yates in the Character of Medea
- after 1771
98
- Portrait of a Woman
- undated
99
- A Devonshire Farm
- ca. 1798
100
- Reclining Female Nude
- after 1845