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Remove constraint Collection: Prints and DrawingsDate 1827
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1
- Study for "The Golden Age"
- 1827
2
- Sky Study with Rainbow
- 1827
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Carlisle
- ca. 1832
5
- Entrance to the Port of Marseille
- undated
6
- English Country Town
- undated
7
- Venice, the Doge's Palace
- undated
8
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
9
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
10
- People on the Road Near Kalicut, Malabar
- undated
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
11
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
12
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
13
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
14
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
15
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
16
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
17
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
18
- Sketches of Towns People
- 1827
19
- Advanced Guard - Sunrise
- ca. 1832
20
- The Fortune Teller
- 1827
21
- Trees and a Cottage by a River
- 1827
22
- Sketch of Boatmen on the Shore, Ships in the Distance
- 1827
23
- Malvolio Dancing
- 1827
24
- The Mail Coach in a Flood
- 1827
25
- At Shanklin, Isle of Wight
- 1827
26
- Blear-Eyed Moll
- ca. 1832
27
- Man Leading a Horse in Front of a Stable
- 1827
28
- Althorp Castle, Northamptonshire
- undated
29
- Ansicht vom Schact und Tunnel unter Themse zu London
- 1827
30
- Crakow
- 1827
31
- Red Square, Moscow
- 1827
32
- Kremlin from the Quay
- 1827
33
- Moscow from the Esplanade of the Kremlin
- 1827
34
- Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
- undated
35
- Design for a Town Hall
- undated
36
- The Annunciation
- undated
37
- Eight Groups of Designs for Gothic holy Objects
- undated
38
- Three Sketches of: a House, A Gothic Spires and Ornamentation
- undated
39
- Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
- undated
40
- Sketch of a Portion of a Gothic Wall
- undated
41
- Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
- undated
42
- Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
- undated
43
- John Burnet, Author of "Practical Hints on Painting"
- 1827
44
- Tooting Church
- 1827
45
- Going at a Rank of Hurdles with Temper and Resolution
- 1827
46
- York House: Plan of the Ground Floor
- 1827
47
- York House: Plan of Principle Floor
- 1827
48
- Statue of Achilles in Hyde Park
- 1827
49
- York House: Longitudinal Section from North to South
- 1827
50
- Design for an Unidentified House: Elevations and Plans
- undated
51
- Designs for a Baptismal Font and a Tabernacle
- undated
52
- Designs for Gothic Hinges, Keyplates and Doorstraps
- undated
53
- Design for Inkstand for Westminster No. 1, End Elevation
- undated
54
- Chapel of the Archbishop's Palace, Croydon: View from the East End
- 1827
55
- St. Giles' Catholic Church: Elevation of the Steeple
- undated
56
- Design for Gothic Ornamentation
- undated
57
- Design for Branch for the Speaker's Chair
- undated
58
- Design for a Monstrance
- undated
59
- Elevation, Plan and Section of a Bell Tower
- undated
60
- Designs for Gothic Ornamentation
- undated
61
- Design for a Gothic Church Altar and Organ
- undated
62
- Designs for Gothic Tables
- undated
63
- Designs for Gothic Candle Sticks and Branches
- undated
64
- Designs for Gothic Ornamentation
- undated
65
- Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
- undated
66
- Design for Gothic Ornamentation
- undated
67
- Sketch of a Gothic Church
- undated
68
- Design for a Coat of Arms
- undated
69
- Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
- undated
70
- Design for a Stained Glass Window
- undated
71
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
72
- Sketch of the Interior of a Gothic Church
- undated
73
- Place Royale, Paris
- undated
74
- Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book
- 1827
75
- Interior of a Gothic Church
- undated
76
- Sketch of a Gothic Church and Monastery
- undated
77
- Designs for Gothic Ornamentation
- undated
78
- Unidentified Townhouse in a Gothic Style
- undated
79
- Figures on a Beach
- after 1827
80
- Sketch of a Gothic Church
- undated
81
- Bishop's Chapel Bishop Eton (built c. 1845-1850)
- undated
82
- Interior of a Gothic Church
- undated
83
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
84
- Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
- 1827
85
- River Tamar, near Endsleigh, Devon
- ca. 1832
86
- Design for London Bridge Approach
- between 1827 and 1835
87
- Design for London Bridge Approach
- between 1827 and 1835
88
- Music: Composition in a Garden
- ca. 1832
89
- The Bridge
- undated
90
- Buckfastleigh Abbey, Devonshire
- 1827
91
- Florence
- 1827
92
- Temple of Minerva, Cape Colonna
- ca. 1832
93
- Square in the Village of Los Silos, Tenerife
- 1827
94
- St. Maurice (vignette)
- 1827
95
- Florence
- 1827
96
- Old London Bridge and Vicinity
- 1827
97
- The Custom House
- 1827
98
- The Custom House
- 1827
99
- St. Paul's from Southwark by Sunset
- ca. 1832
100
- A Capriccio of Windsor Castle
- 1827