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Study of Waves
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cornfield and Church by Moonlight
Creator:
Samuel Palmer, 1805–1881
Date:
early 1830s
Materials & Techniques:
Brush and black ink on very thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Probably made as the basis for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Skeleton, Lateral View (Finished Study for Table IV)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bruiser
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY
Siracusa, 12. June 1847
Creator:
Edward Lear, 1812–1888
Date:
1847
Materials & Techniques:
Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hylton Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1816 to 1823
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Pianist and Bass Player
Creator:
Walter Richard Sickert, 1860–1942
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 15 7/8 x 11 1/4 inches (40.3 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Single Brigantine, Sails Furled
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor,pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Lord Craven's Yacht, July 23, 1817
Creator:
Joseph Cartwright, c.1789–1829
Date:
1817
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
L'Orient 1776: Map of the Port of Orient
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Church of St. Wulfran, Abbeville: The North Door of the West Front
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1823
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 15 7/8 x 9 7/8 inches (40.3 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for Hyde Park and St. James' Park Entrance
Creator:
Sir John Soane, 1753–1837
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Forum in Rome
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1828
Materials & Techniques:
Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:
Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 10 3/4 inches (40 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shanklin Chine, Isle of Wight
Creator:
Paul Sandby Munn, 1773–1845
Date:
1797
Materials & Techniques:
Gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 15 3/4 x 20 1/8 inches (40 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tintern Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and black wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
Folkestone: Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly texutered, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Peter's Church, Hereford, from Butcher's Row
Creator:
follower of John Varley, 1778–1842
Date:
1802
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 22 5/8 inches (40 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cherry Girl
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 11 1/4 inches (40 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Master Henry Thomas Hope
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1836
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Harlech Castle and Twgwyn Ferry
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Charles Robert Darwin
Creator:
Print made by Paul Adolphe Rajon, 1842–1888
Date:
1882
Materials & Techniques:
Etching (unique remarque proof) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 5/8 × 20 1/16 inches (65.1 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Salvator Mundi
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 11 1/2 inches (40.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Country Ballad Singers
Creator:
Print made by unknown artist
Date:
1794
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 10 inches (40 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

69. Fortune

Fortune
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Moralist
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/8 inches (40.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
St. James's Park
Creator:
Francis David Soiron, Born 1764
Date:
1790
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Devil's Bridge, Kirkby Lonsdale
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 inches (40 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robbing the Mail
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
ca. 1790
Materials & Techniques:
Watercolor and pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 7/8 × 20 5/8 inches (40.3 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with River and a Bridge
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, gum arabic, and stopping out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape, Castle and Cattle
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 inches (40 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape, Castle by a River
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 1/16 inches (40 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Vale and Mountains
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor with stopping out and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 22 1/8 inches (40.3 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church of Notre Dame, Bruges
Creator:
Samuel Austin, 1796–1834
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 18 5/8 × 22 3/4 inches (47.3 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woodland Landscape
Creator:
Thomas Barker, 1769–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 11/16 × 21 1/2 inches (39.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Elegant Establishment for Young Ladies (study for)
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Mount: 16 9/16 × 23 1/4 inches (42.1 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monnow Bridge, Monmouthshire
Creator:
Samuel Prout, 1783–1852
Date:
before 1814
Materials & Techniques:
Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wigmore Castle, Herefordshire
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 5/16 inches (40 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Rush Light
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1798
Materials & Techniques:
Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spanish Pointer
Creator:
John Buckler FSA, 1770–1851
Date:
ca. 1799
Materials & Techniques:
Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hay and Log Barges on the Conway
Creator:
Richard Henry Nibbs, 1816–1893
Date:
undated
Materials & Techniques:
Watercolor, gouache, gum, and graphite with scratching out on thick, textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 23 7/8 inches (40.3 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor, and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 15 5/8 × 12 1/8 inches (39.7 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XV Back of Temple at Sheitla [sic]
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Liverpool

Liverpool
Creator:
Leon J. B. Sabatier, active 1827–m.1887
Date:
1840
Materials & Techniques:
Color lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 18 13/16 × 25 1/4 inches (47.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Man in a Long Robe
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk, and graphite, on moderely thick, rough, brown wove paper
Dimensions:
Sheet: 15 3/4 × 11 5/8 inches (40 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving, first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1838
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/2 × 17 1/4 inches (57.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of Fuseli
Creator:
Print made by William Bromley, 1769–1842
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 inches (39.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Man wearing a Cap
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
early 1750s
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 7/8 x 11 5/16 inches (40.4 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

97. S. Simon

S. Simon
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 14 11/16 inches (53.9 x 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Aloys Senefelder
Creator:
Godefroy Engelmann, 1788–1839
Date:
1819
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper, laid on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 15 3/4 x 11 11/16 inches (40 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oxford from North Hinksey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
Creator:
William Say, 1768–1834
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/16 × 12 5/8 inches (41.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection