Raglan Castle, Monmouthshire, Wales: Details of Entrance to Grand Staircase
1831
49
unknown artist
Raglan Castle, Monmouthshire, Wales: Longitudinal Section of Grand Staircase
1831
50
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation and Details of Door in Grand Staircase
1831
51
unknown artist
Raglan Castle, Monmouthshire, Wales: Plan of Turret
1831
52
unknown artist
Raglan Castle, Monmouthshire, Wales: Plan of Entrance Gateway
1831
53
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation of Entrance Gateway
1831
54
unknown artist
Raglan Castle, Monmouthshire, Wales: Fireplace in Officer's Dining Room
1831
55
unknown artist
Mr Seymour's House, Bricknockshire, South Wales: Elevation and Details of Entrance Gate
1831
56
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Doorway to the Hall
1831
57
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation, Section and Wall Plan
1831
58
unknown artist
Raglan Castle, Monmouthshire, Wales: Stringcourses of Entrance to Staircase
1831
59
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Tracery and Sculpted Figures
1831
60
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation of Windows in the Barbican Towers
1831
61
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation, Section and Plan of Fireplace in First Floor Entrance Gateway
1831
62
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Columns at Entrance Gateway
1831
63
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevations of Windows
1831
64
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevations of Windows of the Principal Apartments
1831
65
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Windows of Principal Apartments
1831
66
unknown artist
Raglan Castle, Monmouthshire, Wales: Plan and Details of Great Window in Ante Room
1831
67
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Entrance Gateway
1831
68
unknown artist
Raglan Castle, Monmouthshire, Wales: Longitudinal Section of Great Hall
1831
69
Print by John Scott, 1774–1828
[Shooting] The Pointer
1831
70
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
71
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
72
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
73
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1831
74
Print made by James T. Willmore, 1800–1863
Bedford, Bedfordshire
1831
75
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
76
George Hunt, active 1820–1840
[Coaching]: Highgate Tunnel
1831
77
Richard Gilson Reeve, 1803–1889
Angling: Anglers Packing Up
1831
78
Frederick Rosenberg, active 1816–1832
Coaching: The Royal Mails Preparing to Start for the West of England
1831
79
George Hunt, active 1820–1840
Coaching: The Cambridge Telegraph, Starting from the White Horse
1831
80
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
81
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
82
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
83
Thomas Higham, 1796–1844
St. Mary, Lambeth
1831
84
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
85
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
86
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
87
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
88
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
89
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
90
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
91
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
92
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
93
Print made by William Miller, 1796–1882
Windsor Castle
1831
94
John Burnet, 1784–1868
Chelsea Pensioners
1831
95
John Burnet, 1784–1868
Chelsea Pensioners
1831
96
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
97
William Day, 1764–1807
Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge
1831
98
William Day, 1764–1807
Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge