Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Available: Available / Width [cm]: 25

1. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Horse Mart (with further sketches in the margin)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Trees in a Meadow

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Graphite, watercolor, black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 9 7/8 inches (29.5 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Recollection of the New R.A.

Creator:: John Constable, 1776–1837
Date:: 1837
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Two Ships at Anchor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 9 7/8 inches (20 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Benjamin Read

Creator:: William Hogarth, 1697–1764
Date:: ca. 1757
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with scraping, brown ink, and brown wash Engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; trial proof
Dimensions:: Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Crichton Castle (Mountainous Landscape with a Rainbow)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured cream wove paper
Dimensions:: Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "Visions of the Daughters of Albion", London, by William Blake

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etchings printed in green ink, with watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Gozo, near Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor with pen in brown ink over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 5/16 x 9 3/4 inches (16 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Lady Essex Finch

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Louise, Duchess of Portsmouth

Creator:: Print made by Paul van Somer II, ca. 1649–1714
Date:: ca. 1680
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Fools; or Jesters

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1813
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Lieutenant-General Charles Schaw Cathart, 9th Earl Cathcart

Creator:: James McArdell, ca. 1729–1765
Date:: 1770
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 10 1/16 inches (34.8 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Lady Jane Cathcart (née Hamilton), and Her Son

Creator:: James McArdell, ca. 1729–1765
Date:: 1770
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Sir William Chambers

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1794
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 11/16 inches (34.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Mrs. Cholmondley

Creator:: C. Corbutt
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 10 11/16 inches (39.5 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Right Honorable Lord Viscount Cathcart

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1807
Materials & Techniques:: mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/16 × 13 9/16 inches (45.9 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Mrs. Cholmondley

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 9 13/16 inches (35.4 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. John Pitt, 2nd Earl of Chatham

Creator:: Charles Turner, 1774–1857
Date:: 1809
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 11 5/16 inches (38.1 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Right Honorable Edward, Earl of Clarendon

Creator:: Thomas Johnson, 1651–1685
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/16 × 9 13/16 inches (35.7 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Lady Christiana Collier (née Gwyn)

Creator:: Print made by George Graham, active 1786–1813
Date:: between 1760 and 1770
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 × 10 3/16 inches (36 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. William Congreve Esq.

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1733
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 5/16 inches (35.9 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Barbara, Countess of Coventry

Creator:: Henry Spicer, 1741–1804
Date:: 1764-1765
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 9 3/4 inches (34.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Honorable, Lieutenant General, Henry Edward Fox

Creator:: Charles Turner, 1774–1857
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 13/16 × 9 7/8 inches (35.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Matthew Prior

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1728
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/8 × 10 7/16 inches (35.9 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. How to Ride Without a Bridle

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Hand-colored etching on thick beige card
Dimensions:: Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Miss-Ann-Thropy

Creator:: Print made by Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 × 9 11/16 inches (35.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Light Head Dress and Long Petticoats

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 14 x 9 3/4in. (35.5 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Mrs. Frances Abington (née Barton)

Creator:: James Wilson, c.1735–c.1786
Date:: between 1768 and 1786
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Joseph Addison Esq.

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1733
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/16 × 10 1/8 inches (36.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Willem van Keppel, 2nd Earl of Albermarle

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1751
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. George Kepple, 3rd Earl of Albermarle

Creator:: Charles Spooner, c.1720–1767
Date:: 1762
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Miss Oliver

Creator:: Giuseppe Marchi, ca. 1735–1808
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 15/16 inches (35.2 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Henricus Sacheverell

Creator:: John Smith, 1652–1743
Date:: 1710
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/4 × 11 3/16 inches (38.7 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Reverend Jonathan Shipley, Bishop of St. Asaph

Creator:: John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 13/16 inches (35.2 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Temple Near the Site of Ancient Phigalia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Gray wash, graphite, pen and brown ink, and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 13/16 inches (38.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sketch of the Molding of the Interior of the Propylaea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink and graphite on thin, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 × 9 13/16 inches (38.3 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Fragment of a Doric Cornice Among the Ruins of Eleusis

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and black ink, brown ink, and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/16 × 9 11/16 inches (38.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, black ink, and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 11/16 inches (38.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Beaulieu, Hampshire

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. At Hastings, 5 October 1820

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Alathea Talbot

Creator:: Print made by Wenceslaus Hollar, 1607–1677
Date:: 1646
Materials & Techniques:: Stipple engraving, etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 9 11/16 inches (38.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Ioannes van Ravesteyn

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 9 3/4 inches (34 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Sketch of a Man Watching Large Waves, Hastings

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Seymour Lodge, 12 July 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Entrance to Cardigan, 8 September 1847

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1847
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Sketch of a Roof with a Large Chimney

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/4 inches (17.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Kenelmus Digbi

Creator:: Print made by Robert van Voerst, 1597–1636
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving (1st state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Kenelmus Digbi

Creator:: Print made by Robert van Voerst, 1597–1636
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 11/16 inches (33.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. As Much Underneath, Before the Road, Hastings

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Maria de Medices

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 9 3/4 inches (34.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Felis caligata (Booted Lynx)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and black ink, over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Heterohyrax brucei (Yellow-Spotted Rock Hyrax)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen iand brown ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Gypaetus barbatus (Bearded Vulture)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Study for Man Playing a Harp

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 9 7/8 inches (27.9 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Chepstow

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1794
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Matlock

Creator:: Print made by J. Widnell, Active 1795
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Chester

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Nottingham

Creator:: Print made by James Walker, 1748–1808
Date:: 1795
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Ely

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Hampton Court, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Parts of Mechanical Device

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 × 10 inches (48.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Plan of upright of the semi circular Exedra of Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

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Width [cm] 25

Search Results

1. A Harrow in the Orchard

2. Huntsman and Hounds

3. The Horse Mart (with further sketches in the margin)

4. The Bellman

5. The Bellman

6. The Rising Moon

7. The Rising Moon

8. The Rising Moon

9. The Lonely Tower

10. Trees in a Meadow

11. A Recollection of the New R.A.

12. Two Ships at Anchor

13. Human Skeleton, Lateral View

14. Owl Standing, Anterior View

15. Benjamin Read

16. The Straw Yard

17. The Straw Yard

18. The Bridge and Goats

19. The Straw Yard

20. Catania, Sicily

21. The Stork and Aqueduct

22. The Stork and Aqueduct

23. The Stork and Aqueduct

24. High Street, Edinburgh

25. Crichton Castle (Mountainous Landscape with a Rainbow)

26. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

27. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

28. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

29. Visions of the Daughters of Albion, Plate 1, Frontispiece

30. Visions of the Daughters of Albion, Plate 2, Title Page

31. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

32. "Visions of the Daughters of Albion", London, by William Blake

33. Gozo, near Malta

34. Albania

35. The Lady Essex Finch

36. Louise, Duchess of Portsmouth

37. Fools; or Jesters

38. Lieutenant-General Charles Schaw Cathart, 9th Earl Cathcart

39. Lady Jane Cathcart (née Hamilton), and Her Son

40. Sir William Chambers

41. Mrs. Cholmondley

42. Right Honorable Lord Viscount Cathcart

43. Mrs. Cholmondley

44. John Pitt, 2nd Earl of Chatham

45. The Right Honorable Edward, Earl of Clarendon

46. Lady Christiana Collier (née Gwyn)

47. William Congreve Esq.

48. Barbara, Countess of Coventry

49. The Honorable, Lieutenant General, Henry Edward Fox

50. Matthew Prior

51. How to Ride Without a Bridle

52. Miss-Ann-Thropy

53. Light Head Dress and Long Petticoats

54. Mrs. Frances Abington (née Barton)

55. Joseph Addison Esq.

56. Willem van Keppel, 2nd Earl of Albermarle

57. George Kepple, 3rd Earl of Albermarle

58. Miss Oliver

59. Henricus Sacheverell

60. Reverend Jonathan Shipley, Bishop of St. Asaph

61. Vice Admiral Lord Hugh Seymour

62. Temple Near the Site of Ancient Phigalia

63. Sketch of the Molding of the Interior of the Propylaea

64. Fragment of a Doric Cornice Among the Ruins of Eleusis

65. The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum

66. The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum

67. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

68. West Cowes, Isle of Wight

69. Beaulieu, Hampshire

70. At Hastings, 5 October 1820

71. Alathea Talbot

72. Ioannes van Ravesteyn