plate etched between ca. 1880 and 1883; impression printed in 1924
6
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
7
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
8
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
9
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
10
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
11
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
12
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
13
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
14
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
15
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
16
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
17
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
18
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
19
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
21
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
22
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
23
Print made by Edward Goodall, 1795–1870
Carlisle
1834
24
Print made by William Miller, 1796–1882
Dryburgh
1834
25
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
26
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
27
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
28
Print made by William Miller, 1796–1882
Loch Achray
1834
29
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
30
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
31
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
32
Print made by William Miller, 1796–1882
The Rhymer's Glen (Vignette)
1835
33
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1843
34
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
35
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
36
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
37
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
38
Print made by William Miller, 1796–1882
Loch Achray (Vignette)
1834
39
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
40
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
41
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
42
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1833
43
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
44
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
45
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
46
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
47
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
48
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
49
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
50
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
51
Print made by Pellissier & Allen, active late 19th century
Venus and Adonis
1900
52
Print made by Edward Goodall, 1795–1870
Carlisle
1834
53
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834, reprinted 1851
54
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
55
Print made by William Miller, 1796–1882
Loch Achray
1834
56
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
57
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
58
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
59
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
60
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
61
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
62
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
63
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
64
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
65
Print made by William Miller, 1796–1882
Loch Achray (Vignette)
1853 reprint
66
Print made by Edward Goodall, 1795–1870
Carlisle
1834
67
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
68
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
69
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
70
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
71
Print made by Edward Goodall, 1795–1870
Carlisle
1834
72
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
73
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1836
74
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
75
Print made by William Miller, 1796–1882
Loch Achray
1834
76
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
77
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II