Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
7
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
8
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
9
James Bruce, 1730–1794
Constantine
undated
10
James Bruce, 1730–1794
Figures in a Landscape
undated
11
Charles Brooking, 1723–1759
Fishing Boats in a Calm Sea
between 1745 and 1759
Not on view
12
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
13
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
14
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
15
Charles Gore, 1729–1807
Hubertusburg Château
undated
16
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
18
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
19
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
20
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
21
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
22
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
28
James Adam, 1732–1794
Landscape with River and Figures
undated
29
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
33
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
34
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
35
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
36
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
37
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
38
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
39
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
40
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
41
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
42
Joseph Nickolls, active 1713–ca. 1755
Orleans House, Twickenham
ca. 1750
Not on view
43
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
44
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
45
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
46
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
47
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
48
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
49
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
50
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
52
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
53
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
54
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
55
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
56
James Bruce, 1730–1794
St. Michael Geesh
undated
57
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
58
Alexander Cozens, 1717–1786
The Glade
ca. 1750
59
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
60
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
61
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
62
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
65
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
66
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
67
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
68
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
69
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
70
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
71
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
72
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
73
Charles Gore, 1729–1807
View of Dürrenstein
undated
74
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
75
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
76
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
77
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
78
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
79
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
80
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
81
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
82
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
83
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
84
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
85
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
86
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
87
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
88
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains