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Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Hablot Knight Browne, 1815–1882

"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

undated

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

Print made by George Cruikshank, 1792–1878

"That aint him!"

undated

Bradford Rudge "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Bradford Rudge, 1805–1885

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

undated

William Blake, 1757–1827

"The Book of Thel William Blake Original Wrappers 1789"

1789

John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

John Vanderbank, 1694–1739

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

1729

Henry Thomas Alken, 1785–1851

"The Cover Hack"

1827

James Gillray, 1756–1815

"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar

1797

John Vanderbank, 1694–1739

"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."

1729

Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

Robert Dighton, 1752–1814

"The King and Noblemen Before the Stag is Turn'd Out"

undated

John Atkinson Grimshaw, 1836–1893

"The Lady of Shalott"

ca. 1875

Not on view

John Vanderbank, 1694–1739

"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

1729

Print made by Thomas Bewick, 1753–1828

"The Mute Swan" or "Tame Swan"

undated

Henry Thomas Alken, 1785–1851

"The National Sports of Great Britain" 1821: Badger Catching

1821

Henry Thomas Alken, 1785–1851

"The National Sports of Great Britain," 1821: Owling

1821

John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

John Vanderbank, 1694–1739

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..

1729

C. Blake, active 1825–1826

"The Poacher's Progress:" 'Poachers Snaring Pheasants'

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" 'Poachers Stalking for Partridges'

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" Poachers Before the Magistrates

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" Poachers in Prison (The Pardon)

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

undated

Leslie Matthew 'Spy' Ward, 1851–1922

"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair

1905

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

William Blake, 1757–1827

"There is No Natural Religion", London, by William Blake

ca. 1788

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Henry Thomas Alken, 1785–1851

"Topping a Park fence and doing the thing easy"

1827

Mary Nimmo Moran, 1842–1899

"Tween the Gloamin' and the Mirk, When the Kye Come Hame"

1883

Mary Nimmo Moran, 1842–1899

"Tween the Gloamin' and the Mirk, When the Kye Come Hame"

1883

James Gillray, 1756–1815

"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

1798

William Blake, 1757–1827

"Visions of the Daughters of Albion", London, by William Blake

1793

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Adelaide Claxton, 1858–1905

"We Met"

undated

Isaac Cruikshank "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )

Isaac Cruikshank, 1764–1811

"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )

1784

Print made by John Smith, 1652–1743

"When Love Doth Make His Arrow Sharp"

undated

John Kay, 1742–1826

"Why, Sir John, my face does you no harm..."

1789

John Raphael Smith, 1752–1812

"William and Margaret"

1802

Hablot Knight Browne, 1815–1882

"You're Not Going to Follow, Belle, Are You?"

undated

unknown artist

'A Mapp of St. Andrews Holborn Parish...'

undated

unknown artist

'A Mapp of the Parish of St. Anns'

undated

George Moutard Woodward, ca. 1760–1809

'A Whistler!'

undated

George Townly Stubbs, 1748–1815

'Anvil'

1794

George Vertue, 1684–1756

'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'

1750

George Townly Stubbs, 1748–1815

'Baronet'

1794

George Townly Stubbs, 1748–1815

'Baronet'

1794

Harry Hall, 1838–1886

'Crucifix' with John Day Up

1840 to 1841

Not on view

unknown artist

'Dog and Duck', St. George's Fields

1825

George Townly Stubbs, 1748–1815

'Dungannon'

1794

Charles Hunt 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...

Charles Hunt, 1803–1877

'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..

1839

Abraham Cooper, 1787–1868

'Elis' at Doncaster, Ridden by John Day, with his Van in the Background

between 1836 and 1837

Not on view

Henry Thomas Alken, 1785–1851

'Getting Across the Country Like a Gentleman'

undated

William Pether, ca. 1738–1821

'Gimcrack'

1766