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William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Water; Plate 4
Print made by William Blake, 1757–1827
Water; Plate 4
1793
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
William Blake Aged Ignorance; Plate 13
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
William Blake Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
William Blake Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
John Martin Travelers on a Road above a River
John Martin, 1789–1854
Travelers on a Road above a River
1821
John Martin Forested River Bank, Hill Town and Mountain Peaks in Distance
John Martin, 1789–1854
Forested River Bank, Hill Town and Mountain Peaks in Distance
undated
John Martin Adam and Eve
attributed to John Martin, 1789–1854
Adam and Eve
undated
John Martin Landscape with Courting Couple
John Martin, 1789–1854
Landscape with Courting Couple
1839
John Martin Moonlit Landscape with a Ruined Castle
John Martin, 1789–1854
Moonlit Landscape with a Ruined Castle
between 1820 and 1830
John Martin The Rising of the Waters
Attributed to John Martin, 1789–1854
The Rising of the Waters
undated
John Martin Cain and Abel
Attributed to John Martin, 1789–1854
Cain and Abel
undated
John Martin The Baptism of Christ
Attributed to John Martin, 1789–1854
The Baptism of Christ
undated
Joseph Nash The Tower of the Manor House, East Barsham, Norfolk
Joseph Nash, 1808–1878
The Tower of the Manor House, East Barsham, Norfolk
undated
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809
View in Wales
undated
John Malchair Christ Church, Oxford
John Malchair, 1730–1812
Christ Church, Oxford
undated
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
John Malchair Mountainous Landscape with Castle on Hill
Pupil of John Malchair, 1730–1812
Mountainous Landscape with Castle on Hill
undated
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812
Road Between Hills
undated
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
John Preston Neale Addington Place, Surrey
John Preston Neale, 1771/80–1847
Addington Place, Surrey
1813
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
unknown artist Landscape with Bridge
unknown artist
Landscape with Bridge
undated
George Sidney Shepherd Wandshorst Church Surrey
George Sidney Shepherd, 1784–1862
Wandshorst Church Surrey
undated
unknown artist Battersea
unknown artist
Battersea
undated
unknown artist South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
unknown artist
South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
undated
unknown artist Croydon Church
unknown artist
Croydon Church
undated
unknown artist Great Oakley Hall, Northamptonshire
unknown artist
Great Oakley Hall, Northamptonshire
ca. 1840
Sir George Howland Beaumont seventh Baronet Trees, Near Lausanne
Sir George Howland Beaumont seventh Baronet, 1753–1827
Trees, Near Lausanne
1782
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919
Romney Marsh
undated
John Glover River with Fishermen
John Glover, 1767–1849
River with Fishermen
1792
John Glover Distant View of Greenwich
John Glover, 1767–1849
Distant View of Greenwich
undated
John Glover A Yorkshire Road
John Glover, 1767–1849
A Yorkshire Road
undated
George Lothian Hall Casemates
George Lothian Hall, 1825–1888
Casemates
1843
John Hassell Sluice House, Hornsey, Middlesex
John Hassell, 1767–1825
Sluice House, Hornsey, Middlesex
ca. 1812
unknown artist The Edge of a Pool with Waterlilies
unknown artist
The Edge of a Pool with Waterlilies
undated
Amos Green Classical Landscape
Amos Green, 1735–1807
Classical Landscape
undated
Thomas Hearne Castle Acre Priory
Thomas Hearne, 1744–1817
Castle Acre Priory
1771
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne A Rustic Scene
Thomas Hearne, 1744–1817
A Rustic Scene
undated
Thomas Hearne Goodrich Castle on the Wye
Thomas Hearne, 1744–1817
Goodrich Castle on the Wye
ca. 1785
Thomas Hearne Cottage
Thomas Hearne, 1744–1817
Cottage
undated
Joseph Murray Ince An unidentified Gothic Mansion: Side View of the House with Garden
Joseph Murray Ince, 1806–1859
An unidentified Gothic Mansion: Side View of the House with Garden
undated
John William Inchbold Swiss Valley Landscape
John William Inchbold, 1830–1888
Swiss Valley Landscape
1885
David Bomberg Leeds Farm
David Bomberg, 1890–1957
Leeds Farm
undated
John William Inchbold In Richmond Park
John William Inchbold, 1830–1888
In Richmond Park
1869
Samuel Howitt Hearne's Oak, Windsor Forest
Samuel Howitt, 1756–1822
Hearne's Oak, Windsor Forest
undated
Samuel Howitt Country Folk with a Child, Beside a River
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Thomas Hearne River Landscape with Figures
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
Thomas Hearne The Ruins of Leiston Abbey
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
Thomas Hearne The Bayswater Turnpike
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
Samuel Howitt Landscape with Hay Cart before a Cottage
Samuel Howitt, 1756–1822
Landscape with Hay Cart before a Cottage
undated
George Heriot View of a Bridge
George Heriot, 1766–1844
View of a Bridge
1819
Samuel Jackson The Avon near Bristol
Samuel Jackson, 1794–1869
The Avon near Bristol
undated
Harold Gilman Norwegian Landscape
Harold Gilman, 1876–1919
Norwegian Landscape
undated