Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
8
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
9
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
10
John Constable, 1776–1837
Brighton Beach Looking West
undated
11
attributed to John Constable, 1776–1837
A View on the Orwell
undated
12
after George Stubbs, 1724–1806
Horses Fighting
undated
13
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
14
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
15
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
16
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
17
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
18
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
19
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
20
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
21
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
22
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
23
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
24
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
25
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
26
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
27
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
28
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
29
Edward Lear, 1812–1888
El Areesh (Torrens Ægypti)
1867
30
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
31
Edward Lear, 1812–1888
Near Khan Yunas
1867
32
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
33
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
34
Edward Lear, 1812–1888
Abydos, 1:00 pm, 12 January 1867 (134)
1867
35
Edward Lear, 1812–1888
Near Aswan
1867
36
Edward Lear, 1812–1888
Abu Seer
1867
37
Edward Lear, 1812–1888
Abu Seer
1867
38
Edward Lear, 1812–1888
Karnak, 9:30 pm, 22 January 1867 (212)
1867
39
Edward Lear, 1812–1888
Karnak, 10:00 pm, 22 January 1867 (213)
1867
40
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
41
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
42
Edward Lear, 1812–1888
Abu Seer
1867
43
Edward Lear, 1812–1888
Catania
1847
44
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
45
Edward Lear, 1812–1888
Near Daboad
1867
46
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
47
Edward Lear, 1812–1888
Near Gezir Shendowiel
1867
48
Edward Lear, 1812–1888
Just above Ekhmim
1867
49
Edward Lear, 1812–1888
Negadeh
1867
50
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
51
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
52
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
53
George Romney, 1734–1802
Borghese Gladiator
undated
54
George Romney, 1734–1802
John Henderson as Falstaff
1780
55
George Romney, 1734–1802
Howard Visiting a Prison
undated
56
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
57
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
58
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
59
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
60
Print made by William Blake, 1757–1827
Pity
ca. 1795
61
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
62
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
63
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
64
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
65
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of the Lady's Room Ceiling
1772
66
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
67
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
68
Robert Adam, 1728–1792
Headfort House, Ireland: Lady's Room Ceiling
1772
69
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
70
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
71
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
72
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
73
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
74
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
75
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
76
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
77
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
78
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
79
William Paton Burton, 1828–1883
The Market Place, Tanta, Egypt
1874
80
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
81
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
82
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
83
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
84
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
85
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
86
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
87
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
88
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
89
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
90
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
91
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
92
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
93
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
94
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
95
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
96
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
97
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
98
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
99
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
100
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)