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On-site Access Accessible by appointment in the Study Room
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101
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
102
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
103
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
104
- Jerusalem, Plate 82, "I have heard Jerusalems groans...."
- 1804 to 1820
105
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
106
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
107
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
108
- Help! Help!; Plate 12
- 1793
109
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
110
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
111
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
112
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
113
- America. A Prophecy, Plate 1, Frontispiece
- 1793
114
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
115
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
116
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
117
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
118
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
119
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
120
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
121
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
122
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
123
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
124
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
125
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
126
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
127
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
128
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
129
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
130
- Abraham and Isaac
- 1799 to 1800
131
- Moses Receiving the Law
- ca. 1780
132
- Satan Approaching the Court of Chaos
- 1784 to 1785
133
- Thomas Alphonso Hayley, Half-Length Drawing
- ca. 1800
134
- The Parable of the Wise and Foolish Virgins
- ca. 1825
135
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
136
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
137
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
138
- Shepherdess Cutting an Inscription on a Tree
- undated
139
- Landscape
- undated
140
- Aerial Group: The Tempest
- undated
141
- Miranda, Prospero, and Caliban: The Tempest
- undated
142
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
143
- The Rescue of Lot
- 1833
144
- Road Between Hills
- undated
145
- Addington Place, Surrey
- 1813
146
- Nîmes from the Tour Magne
- ca. 1765
147
- Boxhill from West Humble Lane
- undated
148
- Landscape at Boxhill, Surrey
- undated
149
- Classical Landscape
- undated
150
- Landscape near Ageles - Gazost at the foot of the Pyrenees
- undated
151
- Mole Head, Algiers
- 1816
152
- At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
- 1804
153
- Design for a Wall Panel
- undated
154
- Roundway Park, Wiltshire: Exterior View
- ca. 1840
155
- Greenwich
- undated
156
- Landscape with Trees
- undated
157
- Romney Marsh
- undated
158
- Romney Marsh
- undated
159
- St. Donat's Castle, Glamorganshire
- undated
160
- French Coast Scene with Fisherboy
- 1829
161
- The Grand Canal, Venice
- 1835
162
- Welsh Landscape
- undated
163
- Stormy Sunset, Legh Park, Wiltshire
- 1816
164
- The Poor House, Hadley, Hertfordshire
- 1802
165
- Romantic Landscape
- ca. 1830
166
- Two Riders Fording a River
- undated
167
- Beach Scene with Figures by a Breakwater
- 1861
168
- Calais Harbour
- undated
169
- On the Rhone
- ca. 1780
170
- Moorland with Sheep and Shepherd
- undated
171
- Drifting
- undated
172
- Dutch Fishing Boats at Anchor in an Estuary
- undated
173
- Sky Study, No. 1
- undated
174
- Sky Study, No. 2
- undated
175
- Sky Study, No. 4
- undated
176
- Sky Study, No. 5
- undated
177
- Sky Study, No. 6
- undated
178
- Sky Study, No. 7
- undated
179
- Edinburgh
- undated
180
- Shipping in a Choppy Sea
- undated
181
- Sailing Ships and Small Boats in Rough Sea off the Coast
- undated
182
- High Street at Bushey, Hertfordshire
- 1812
183
- High Tor, Matlock
- undated
184
- Design for an Unidentified Country House
- ca. 1800
185
- Design for a Mythological Scene, with Jupiter and Juno
- undated
186
- Design for London Bridge Approach
- between 1827 and 1835
187
- View from Mr. Sheppard's Window, The Ridge, Gloucestershire
- undated
188
- A Prospect of Vapourland
- 1759
189
- Sluice House, Hornsey, Middlesex
- ca. 1812
190
- Young Child with Lap-Dog
- undated
191
- View of Lakes Buttermere and Crummock Water
- 1803
192
- In Richmond Park
- 1869
193
- Swiss Valley Landscape
- 1885
194
- The Beautiful Vale and Mowddach River, Merionethshire
- 1805
195
- The Lecture House, Watford
- 1807
196
- The Welsh Coast
- 1837
197
- A Storm on the Coast
- between 1840 and 1850
198
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
199
- Design for a portrait of an architect or a painter
- undated
200
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715