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301. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Water; Plate 4

Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Alas!; Plate 9

Alas!; Plate 9
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Aged Ignorance; Plate 13

Aged Ignorance; Plate 13
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. My Son! My Son!; Plate 10

My Son! My Son!; Plate 10
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Jerusalem, Plate 11, "To labours mighty...."

Jerusalem, Plate 11, "To labours mighty...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Jerusalem, Plate 49, "The secret coverts of Albion...."

Jerusalem, Plate 49, "The secret coverts of Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. The Shepherd, from Songs of Innocence

The Shepherd, from Songs of Innocence
Creator:
William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

336. Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
Creator:
William Blake, 1757–1827
Date:
1819
Materials & Techniques:
Graphite and black chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 inches (15.6 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C., Yale BA 1968, and Mildred B. Marshall

337. Spring, from Songs of Innocence

Spring, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

338. Illustrations of Imitation of Eclogue I, Page 16

Illustrations of Imitation of Eclogue I, Page 16
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Illustrations of Eclogue I, Introductory, The Giant Polypheme

Illustrations of Eclogue I, Introductory, The Giant Polypheme
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. The Entrance Front of Hayley's House at Eartham

The Entrance Front of Hayley's House at Eartham
Creator:
William Blake, 1757–1827
Date:
1801
Materials & Techniques:
Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Landscape with Spire

Landscape with Spire
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. A Woody Landscape

A Woody Landscape
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. The Book of Thel, Plate 4, "Why should the mistress . . . ."

The Book of Thel, Plate 4, "Why should the mistress . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/16 × 12 1/2 inches (46.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

345. Design for the Parterre at Hampton Court

Design for the Parterre at Hampton Court
Creator:
unknown artist
Date:
early 18th century
Materials & Techniques:
Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Travelers on a Road above a River

Travelers on a Road above a River
Creator:
John Martin, 1789–1854
Date:
1821
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 5/8 inches (19.7 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Forested River Bank, Hill Town and Mountain Peaks in Distance

Forested River Bank, Hill Town and Mountain Peaks in Distance
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/16 x 10 1/2 inches (18.5 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

348. Adam and Eve

Adam and Eve
Creator:
attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Landscape with Courting Couple

Landscape with Courting Couple
Creator:
John Martin, 1789–1854
Date:
1839
Materials & Techniques:
Watercolor and gum over graphite and scratching out on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 8 3/4 x 12 1/4 inches (22.3 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Moonlit Landscape with a Ruined Castle

Moonlit Landscape with a Ruined Castle
Creator:
John Martin, 1789–1854
Date:
between 1820 and 1830
Materials & Techniques:
Gray wash, brown wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. The Rising of the Waters

The Rising of the Waters
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Cain and Abel

Cain and Abel
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. The Baptism of Christ

The Baptism of Christ
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. The Tower of the Manor House, East Barsham, Norfolk

The Tower of the Manor House, East Barsham, Norfolk
Creator:
Joseph Nash, 1808–1878
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. View in Wales

View in Wales
Creator:
attributed to Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream card
Dimensions:
Sheet: 15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Wilmarth Lewis, Yale BA 1918, transfer from the Yale University Art Gallery

356. Christ Church, Oxford

Christ Church, Oxford
Creator:
John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 7 3/8in. (22.9 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Part of Regent's Park

Part of Regent's Park
Creator:
Patrick Nasmyth, 1787–1831
Date:
1805
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Mountainous Landscape with Castle on Hill

Mountainous Landscape with Castle on Hill
Creator:
Pupil of John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 11 9/16in. (22.7 x 29.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Road Between Hills

Road Between Hills
Creator:
pupil of John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Addington Place, Surrey

Addington Place, Surrey
Creator:
John Preston Neale, 1771/80–1847
Date:
1813
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Tivoli

Tivoli
Creator:
William Marlow, 1740–1813
Date:
ca. 1768
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Landscape with Bridge

Landscape with Bridge
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 7/16 inches (19.2 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Wandshorst Church Surrey

Wandshorst Church Surrey
Creator:
George Sidney Shepherd, 1784–1862
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Battersea

Battersea
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink, and and pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 15/16 x 6in. (12.5 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory

South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 11 3/16 inches (20.5 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Croydon Church

Croydon Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Great Oakley Hall, Northamptonshire

Great Oakley Hall, Northamptonshire
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Pen and black ink, wash; (verso) graphite and pen and brown ink on smooth, thick, white card
Dimensions:
Sheet: 3 11/16 × 5 3/16 inches (9.4 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Trees, Near Lausanne

Trees, Near Lausanne
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1782
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 7 inches (24.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Enter Malvolio, Crossgartered...

Enter Malvolio, Crossgartered...
Creator:
Sir John Gilbert, 1817–1897
Date:
1863
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

373. Romney Marsh

Romney Marsh
Creator:
Harold Gilman, 1876–1919
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. River with Fishermen

River with Fishermen
Creator:
John Glover, 1767–1849
Date:
1792
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Distant View of Greenwich

Distant View of Greenwich
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Black ink over graphite on moderately thick, moderately textured, cream wove paper, laid on mount
Dimensions:
Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. A Yorkshire Road

A Yorkshire Road
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Casemates

Casemates
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 2 7/8 inches (10.5 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Sluice House, Hornsey, Middlesex

Sluice House, Hornsey, Middlesex
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. The Edge of a Pool with Waterlilies

The Edge of a Pool with Waterlilies
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Classical Landscape

Classical Landscape
Creator:
Amos Green, 1735–1807
Date:
undated
Materials & Techniques:
Gray and brown wash and graphite; verso: gray wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 5/8 x 16 3/4in. (32.1 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. Castle Acre Priory

Castle Acre Priory
Creator:
Thomas Hearne, 1744–1817
Date:
1771
Materials & Techniques:
Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. The Poor House, Hadley, Hertfordshire

The Poor House, Hadley, Hertfordshire
Creator:
Thomas Hearne, 1744–1817
Date:
1802
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. A Rustic Scene

A Rustic Scene
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Gray wash and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 11 3/8 x 15 3/8 inches (28.9 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Goodrich Castle on the Wye

Goodrich Castle on the Wye
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Cottage

Cottage
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. An unidentified Gothic Mansion: Side View of the House with Garden

An unidentified Gothic Mansion: Side View of the House with Garden
Creator:
Joseph Murray Ince, 1806–1859
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 11/16in. (25.1 x 34.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Swiss Valley Landscape

Swiss Valley Landscape
Creator:
John William Inchbold, 1830–1888
Date:
1885
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper with gilt edges
Dimensions:
Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Leeds Farm

Leeds Farm
Creator:
David Bomberg, 1890–1957
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 13 5/8 × 19 1/8 inches (34.6 × 48.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

389. In Richmond Park

In Richmond Park
Creator:
John William Inchbold, 1830–1888
Date:
1869
Materials & Techniques:
Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Hearne's Oak, Windsor Forest

Hearne's Oak, Windsor Forest
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and pen and gray ink on card
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Country Folk with a Child, Beside a River

Country Folk with a Child, Beside a River
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 inches (21.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. A Park Landscape with Shepherd and Sheep

A Park Landscape with Shepherd and Sheep
Creator:
Samuel Howitt, 1756–1822
Date:
1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. River Landscape with Figures

River Landscape with Figures
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, gouache, and graphite on medium, slightly textured, beige wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 12 × 9 3/4 inches (30.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. The Cheesecake House, Hyde Park

The Cheesecake House, Hyde Park
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/4 inches (33.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. The Bayswater Turnpike

The Bayswater Turnpike
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 14 1/8 inches (28.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Landscape with Hay Cart before a Cottage

Landscape with Hay Cart before a Cottage
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 inches (16.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. View of a Bridge

View of a Bridge
Creator:
George Heriot, 1766–1844
Date:
1819
Materials & Techniques:
Pen and brown ink and brown wash on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. The Avon near Bristol

The Avon near Bristol
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Watercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Norwegian Landscape

Norwegian Landscape
Creator:
Harold Gilman, 1876–1919
Date:
undated
Materials & Techniques:
Pen and black ink on moderately thick, slightly textured, cream wove paper mounted on board
Dimensions:
Mount: 18 1/8 x 21 1/8 inches (46 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948