Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
2
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
3
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
4
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
12
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
17
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
21
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
22
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
23
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
24
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
25
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
26
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
27
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
28
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
29
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
30
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
31
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
32
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
33
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
34
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
35
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
36
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
37
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
38
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
39
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
40
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
41
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
42
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
43
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
44
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
45
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
46
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
47
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
48
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
49
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
50
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
51
Valentine Green, 1739–1813
Rinaldo and Armida
1775
52
Print made by Robert Blyth, 1750–1784
The Captive
1781
53
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
54
After Edward Burne-Jones, 1833–1898
The Briar Wood
1892
55
After Edward Burne-Jones, 1833–1898
The Council Chamber
1892
56
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
57
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
58
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
59
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
60
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
61
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
62
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
63
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
64
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
65
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
66
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
67
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
68
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
69
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
70
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
71
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
72
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
73
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
74
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
75
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life