Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
22
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
23
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
24
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
25
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
26
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
27
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
33
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
41
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
42
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
43
George Romney, 1734–1802
The Bath of Bath-sheba
undated
44
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
45
George Romney, 1734–1802
Charity
undated
46
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
47
George Romney, 1734–1802
Samson Overpowered
undated
48
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
49
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
50
William Hamilton, 1751–1801
Hero and Leander
1801
51
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
52
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
53
Attributed to John Martin, 1789–1854
The Woman at the Well
undated
54
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
55
Richard Westall, 1765–1836
The Annunciation (Luke 1:26)
before 1836
56
Print made by William Say, 1768–1834
Cupid and Psyche
1816
57
Print made by Alexander van Haecken, 1701–1758
Juno
undated
58
Print made by John Young, 1755–1825
Neaera
1788
59
Thomas Park, ca. 1760–1834
Dr. John Thomas, Lord Bishop of Rochester
1788
60
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Charity
1781
61
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
62
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
63
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
64
Joseph Grozer, ca. 1755–1798
The Death of Dido
1796
65
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
66
Edward Francis Burney, 1760–1848
Charity
undated
67
Print made by Johan Joseph Zoffany, 1733–1810
Samson Overcome by the Philistines
ca. 1758
68
Richard Westall, 1765–1836
Christ Appears to Mary Magdalene (John 20:13-14)
before 1836
69
Print made by Richard Earlom, 1743–1822
Alope
1787
70
Print made by Abraham Blooteling, 1640–1690
The Temptation of Saint Anthony
undated
71
Print made by Prince Rupert, 1619–1682
The Magdalen
1659
72
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
73
Print made by Bernard Lens II, 1659–1725
Susanna
undated
74
Print made by Bernard Lens II, 1659–1725
Jupiter and Semele
undated
75
Print made by Richard Purcell, active 1746–1766
Virgin and Child
undated
76
Print made by John Simon, 1675–1755
Abraham's Servant Presenteth Rebekah
between 1700 and 1725
77
Print made by John Simon, 1675–1755
Christ and the Woman of Samaria
undated
78
Print made by unknown artist
S. Maria Magdalena
undated
79
Print made by John Smith, 1652–1743
The Triumph of Galatea
1701
80
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
81
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
82
Print made by Richard Purcell, active 1746–1766
Mary Hale (née Chaloner), as Euphrosyne in 'L'Allegro'
undated
83
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
84
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
85
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
86
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
87
Jacques Christophe Le Blon, 1667–1741
St. Catherine Reading
undated
88
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
89
unknown artist
Ariadne
undated
90
George Henry Harlow, 1787–1819
Hecate
1815
91
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
92
Isaac Oliver, ca. 1565–1617
Leda and the Swan
undated
93
unknown artist
Angel
undated
94
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
95
Richard Westall, 1765–1836
Christ Raising the Widow's Son (Luke 7:13-16)
before 1836
96
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
97
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
98
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
99
Print made by Jacob Gole, 1660–1737
King Lyncus Turned Into a Lynx by Ceres
between 1675 and 1700
100
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis