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Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Samuel Ireland Lion's Inn
Samuel Ireland, active 1760–died 1800
Lion's Inn
1800
Samuel Ireland Barnard's Inn
Samuel Ireland, active 1760–died 1800
Barnard's Inn
1800
Samuel Ireland North Front of Temple Hall
Samuel Ireland, active 1760–died 1800
North Front of Temple Hall
1800
Samuel Ireland Temple Church
Samuel Ireland, active 1760–died 1800
Temple Church
1800
Samuel Ireland Staple Inn
Samuel Ireland, active 1760–died 1800
Staple Inn
1800
Samuel Ireland Clement's Inn
Samuel Ireland, active 1760–died 1800
Clement's Inn
1800
Samuel Ireland Rolls Chapel
Samuel Ireland, active 1760–died 1800
Rolls Chapel
1800
Samuel Ireland Lincoln's Inn Hall and Chapel
Samuel Ireland, active 1760–died 1800
Lincoln's Inn Hall and Chapel
1800
Samuel Ireland Furnival's Inn
Samuel Ireland, active 1760–died 1800
Furnival's Inn
1800
Samuel Ireland Clifford's Inn
Samuel Ireland, active 1760–died 1800
Clifford's Inn
1800
Samuel Ireland Lincoln's Inn Gate
Samuel Ireland, active 1760–died 1800
Lincoln's Inn Gate
1800
Samuel Ireland Garden Front of Furnival's Inn
Samuel Ireland, active 1760–died 1800
Garden Front of Furnival's Inn
1800
Samuel Ireland Westminster Hall
Samuel Ireland, active 1760–died 1800
Westminster Hall
1800
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
Samuel Ireland Stone Buildings, Lincoln's Inn
Samuel Ireland, active 1760–died 1800
Stone Buildings, Lincoln's Inn
1800
Samuel Ireland Inner Temple
Samuel Ireland, active 1760–died 1800
Inner Temple
1800
Samuel Ireland Middle Temple Gate
Samuel Ireland, active 1760–died 1800
Middle Temple Gate
1800
Samuel Ireland Southwest View of Middle Temple
Samuel Ireland, active 1760–died 1800
Southwest View of Middle Temple
1800
Samuel Ireland Guildhall
Samuel Ireland, active 1760–died 1800
Guildhall
1800
Samuel Ireland Sergeant's Inn
Samuel Ireland, active 1760–died 1800
Sergeant's Inn
1800
Samuel Ireland Gray's Inn
Samuel Ireland, active 1760–died 1800
Gray's Inn
1800
Samuel Ireland Leather Fullers Hall
Samuel Ireland, active 1760–died 1800
Leather Fullers Hall
1800
Samuel Ireland New Inn
Samuel Ireland, active 1760–died 1800
New Inn
1800
Francesco Bartolozzi Antony and Cleopatra, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Antony and Cleopatra, Act I, Scene II
1794
Francesco Bartolozzi Troilus and Crssida, Act 3, Scene II
Francesco Bartolozzi, 1728–1815
Troilus and Crssida, Act 3, Scene II
1794
Francesco Bartolozzi Ophelia vide Hamlet, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
Francesco Bartolozzi King Lear, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
Francesco Bartolozzi Troilus and Cressida, Act 4, Scene II
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
unknown artist A View of St. Katharine's Dock in the Month of January, 1828
unknown artist
A View of St. Katharine's Dock in the Month of January, 1828
1828
Richard Cooper the Younger The Procession of the Knights of the Most Noble Order of the Garter
Richard Cooper the Younger, 1740–1814
The Procession of the Knights of the Most Noble Order of the Garter
1782
John Hassell View of Sion House from the Banks of the Thames
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
John Bluck Encouragement of Arts &c, Adelphi
John Bluck, active 1791–1831
Encouragement of Arts &c, Adelphi
1809
John Bluck On the Thames near Battersea
John Bluck, active 1791–1831
On the Thames near Battersea
1809
Augustus Charles Pugin The Hall, Carlton House
Augustus Charles Pugin, 1762–1832
The Hall, Carlton House
1808
Thomas Rowlandson Billingsgate Market
after Thomas Rowlandson, 1756–1827
Billingsgate Market
1808
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
Paul Sandby Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
Sir Frank Short Moonlight at Sea, Off the Isle of Wight
Print made by Sir Frank Short, 1857–1945
Moonlight at Sea, Off the Isle of Wight
1896
Robert Pollard Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
John Grant Rocket Practice in the Marshes
John Grant, Died 1873
Rocket Practice in the Marshes
1845
Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Charles Rosenberg, active 1828–1848
Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
Thomas Malton Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
unknown artist South Front of the Bank
unknown artist
South Front of the Bank
1798
Joseph Constantine Stadler Battersea, Chelsea and London from Mr. Rucker's Villa
Joseph Constantine Stadler, active 1780–1812
Battersea, Chelsea and London from Mr. Rucker's Villa
1795
Robert Pollard View of Bloomsbury Square
Robert Pollard, 1755–1838
View of Bloomsbury Square
1787
unknown artist Buckingham Stairs Water Gate
unknown artist
Buckingham Stairs Water Gate
1816
Daniel Havell A View of the Bank of England
Daniel Havell, 1785–1826
A View of the Bank of England
1816
Thomas Malton the Younger The Bank
Print made by Thomas Malton the Younger, 1748–1804
The Bank
1781
unknown artist North Front of the Bank
unknown artist
North Front of the Bank
1797
John Bluck The Hall and Stair Case, British Museum
John Bluck, active 1791–1831
The Hall and Stair Case, British Museum
1808
Augustus Charles Pugin The Opening of the Waterloo Bridge on the 18th June 1817
Augustus Charles Pugin, 1762–1832
The Opening of the Waterloo Bridge on the 18th June 1817
1818
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
unknown artist The Famous Lincolnshire Ox
Print made by unknown artist
The Famous Lincolnshire Ox
1823
Francis Jukes Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
Print made by Francis Jukes, 1747–1812
Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
1802
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
James Gillray Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
Matthew Dubourg Partridge Shooting
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
Paul Sandby The Romans Polite to Strangers
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
Paul Sandby Views in the Levant: The Sacred Cave of Archidamus
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
Caroline Watson Contemplation
Print made by Caroline Watson, 1760–1814
Contemplation
1790
Caroline Watson Contemplation
Print made by Caroline Watson, 1760–1814
Contemplation
1790
Paul Sandby The Horse Race at Rome During the Carnival
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
Paul Sandby The Opening of the Carnival at Rome
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
Paul Sandby The Victor Conducted in Triumph
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
Thomas Malton Lincoln Cathedral
Thomas Malton, 1726–1801
Lincoln Cathedral
1800
Matthew Dubourg Snipe Shooting
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
Matthew Dubourg Pheasant Shooting
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
Richard Banks Harraden The Waterworks at Marli; and St. German en Laye seen in the distance
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
George Baxter Funeral of the Late Duke of Wellington
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
George Baxter Funeral of the Late Duke of Wellington
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
Thomas Girtin View of the City with the Louvre &c. taken from Pont Marie
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Village of Chaillot and &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803