Illustration for The New Doll: It's Mine, You may Look at It
undated
7
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
8
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
9
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
10
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
11
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
12
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
13
Edward Francis Burney, 1760–1848
Norbury Park
undated
14
Edward Francis Burney, 1760–1848
Watley
undated
15
Edward Francis Burney, 1760–1848
Elevation of a House
undated
16
Edward Francis Burney, 1760–1848
Musicians
undated
17
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
18
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
19
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
20
James Lewis, 1751–1820
Design for a Country House
undated
21
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
22
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
23
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
24
Peter Casteels, 1684–1749
Feeding Ducks
undated
25
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
26
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
27
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
28
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
29
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
30
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
31
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
32
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
33
Edward Francis Burney, 1760–1848
Wedding of a God
undated
34
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
35
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
36
Gangaram Chintaman Tambat, active 1790s
Drawing of a Column from Ekvera
undated
37
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
38
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
39
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
40
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
41
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
42
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
43
William Collins, 1788–1847
Dartmouth
undated
44
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
45
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
46
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
47
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
48
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
49
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
50
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
51
Gangaram Chintaman Tambat, active 1790s
Interior View of the Temple at Ekvera (Karle)
ca. 1793
52
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
53
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
58
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
62
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
63
unknown artist
Grave of the Supposed William Lyndewode
1852
64
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
65
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
66
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
67
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
68
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
69
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
70
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
71
unknown artist
Peers' Entrance
undated
72
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
73
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
74
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
75
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
80
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
81
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
82
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
83
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
84
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
85
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
86
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
87
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
88
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
89
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
90
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
91
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
92
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
93
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
94
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
95
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
96
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
97
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
98
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
100
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords