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Materials & Techniques wove paper

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Classification Drawings & Watercolors

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William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802
Bacchanalian Scene (Possibly Antediluvian)
undated
George Romney Group of Four Women Embracing
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 29, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Five Visionary Heads of Women
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
Thomas Rowlandson A Pier at Amsterdam
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
Thomas Rowlandson The Return of the Fleet to Great Yarmouth in 1797
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
Thomas Rowlandson View on Exmoor
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
Edward Francis Burney Boarding the Ferry
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
George Augustus Sala Two Women
George Augustus Sala, 1828–1895
Two Women
undated
George Augustus Sala Be it ever so Humble, There's no place like Home
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
George Sidney Shepherd Green Park
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
Sir David Wilkie A Scene from "The Abbot"
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
Thomas Rowlandson The Undergraduate's Room
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
Thomas Rowlandson Angry Scene in a Street
Thomas Rowlandson, 1756–1827
Angry Scene in a Street
between 1805 and 1810
Lady Diana Beauclerk An Allegory of Love
Lady Diana Beauclerk, 1734–1808
An Allegory of Love
Undated
John Massey Wright Mrs. Martha Udney
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
Richard Bridgens Planting the sugar cane (Trinidad)
Richard Bridgens, active 1838
Planting the sugar cane (Trinidad)
1838
Peter DeWint The Harvesters
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
Thomas Hearne Haymaking
Thomas Hearne, 1744–1817
Haymaking
undated
John Martin Kensington Gardens
John Martin, 1789–1854
Kensington Gardens
undated
William Alexander Conway, North Wales: The Castle and the Old College House
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
Julius Caesar Ibbetson Haymaking
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
Robert Hills Studies of Haymakers
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
Louis Philippe Boitard Holbein's Gateway and Jones's Banqueting House, Whitehall...
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
William Callow Madonna with a Rabbit
William Callow, 1812–1908
Madonna with a Rabbit
undated
Francis Wheatley An Old Fisherwoman with Two Women Digging for Bait
Francis Wheatley, 1747–1801
An Old Fisherwoman with Two Women Digging for Bait
undated
Michael "Angelo" Rooker The Market Square, Bury St. Edmunds
Michael "Angelo" Rooker, 1746–1801
The Market Square, Bury St. Edmunds
undated
Sir Augustus Wall Callcott Woman on a Horse with Two Standing Women Overlooking a Landscape
Sir Augustus Wall Callcott, 1779–1844
Woman on a Horse with Two Standing Women Overlooking a Landscape
undated
Richard Westall Greatheart's Battle with Grim
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
Thomas Shotter Boys Hotel de Ville, Hague
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
Benjamin West The Three Marys
Benjamin West, 1738–1820
The Three Marys
1783
Francis Wheatley Soldiers and Country Women
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
Sir David Wilkie Shopping in the Rows, Chester
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
Julia Swinburne A Sandwich Islands Group
Julia Swinburne, ca. 1795–1893
A Sandwich Islands Group
June 5, 1824
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
Thomas Rowlandson Loading Sacks into a Cart
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
Paul Sandby Two Women holding a Basket
Paul Sandby, 1731–1809
Two Women holding a Basket
ca. 1759
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Sir David Wilkie Study for "Reading the Will"
Sir David Wilkie, 1785–1841
Study for "Reading the Will"
1820
Sir David Wilkie Kitchen Scene: Dunkerrin, September 1835
Sir David Wilkie, 1785–1841
Kitchen Scene: Dunkerrin, September 1835
1835
William Daniell Harwich, Essex
William Daniell, 1769–1837
Harwich, Essex
ca. 1820
Joshua Cristall Landing a Catch of Mackerel, Hastings
Joshua Cristall, 1768–1847
Landing a Catch of Mackerel, Hastings
undated
Paul Sandby Sara Hough, Mrs. T. P. Sandby's Nursery Maid
Paul Sandby, 1731–1809
Sara Hough, Mrs. T. P. Sandby's Nursery Maid
ca. 1805
Richard Dadd Landscape with Cottages, Broadmoor
Richard Dadd, 1817–1886
Landscape with Cottages, Broadmoor
1873
James Ward Figure Studies: Women Laboring
James Ward, 1769–1859
Figure Studies: Women Laboring
undated
Sir David Wilkie A Group of Women at Mass
Sir David Wilkie, 1785–1841
A Group of Women at Mass
undated
Joseph Nash Groups of Men and Women in Conservation
Joseph Nash, 1808–1878
Groups of Men and Women in Conservation
undated
Samuel Prout Sketches of Peasants and Work-Horses
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
Samuel Prout Fisherfolk on the Beach, Ostend
Samuel Prout, 1783–1852
Fisherfolk on the Beach, Ostend
undated
Robert Hills Farm Laborers and Other Studies
Robert Hills, 1769–1844
Farm Laborers and Other Studies
undated
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810