On-site Access: Accessible by appointment in the Study Room / Subject Terms: trees and women

1. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Val di Roppa, Corfu, 22 May 1868

Creator:: Edward Lear, 1812–1888
Date:: 1868
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. I Found Him Beneath a Tree; Plate 3

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

Creator:: William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

Creator:: William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 11, "To labours mighty...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Poems of Thomas Gray, Design 55, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 27, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Jerusalem, Plate 37, "And One stood forth...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Jerusalem, Plate 38, "His face and bosom...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Illustrations of Imitation of Eclogue I, Page 16

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Songs of Innocence and of Experience

Creator:: William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Spring, from Songs of Innocence

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Design for a Greenhouse at Kew Gardens

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and brown ink, watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 19 13/16 inches (31.4 x 50.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Roundway Park, Wiltshire: Exterior View

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 17 15/16 x 28 1/4 inches (45.6 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Creator:: Robert Adam, 1728–1792
Date:: between 1770 and 1780
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of Lucan House

Creator:: John James Barralet, 1747–1815
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Hartwell, Buckinghamshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1833
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 21 1/16 inches (36.4 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Country Scene: Cottage and Figures on a Winding Road

Creator:: Master of the Wire Line, 18th century
Date:: undated
Materials & Techniques:: Black ink with watercolor on thick, moderately textured, green-beige laid paper
Dimensions:: Sheet: 10 7/8 × 15 11/16 inches (27.7 × 39.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Village of Aldbury, Hertfordshire

Creator:: George Shepheard, ca. 1770–1842
Date:: 1816
Materials & Techniques:: Watercolor with pen and black ink and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 13 inches (20.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Classical Composition

Creator:: John Henry Müntz, 1727–1798
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Design for the Parterre at Hampton Court

Creator:: unknown artist
Date:: early 18th century
Materials & Techniques:: Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Woman on a Horse with Two Standing Women Overlooking a Landscape

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: undated
Materials & Techniques:: Pen and black ink and black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Design for a portrait of an architect or a painter

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 7/8 x 5 1/4 inches (17.5 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Fortune Teller

Creator:: Thomas Stothard, 1755–1834
Date:: 1827
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately think, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Artist Sketching Mlle. de St. Legier as a Shepherdess

Creator:: James Moore, 1762–1799
Date:: 1787
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Roslin Castle, Midlothian

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Gouache on medium laid paper, mounted on board
Dimensions:: Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Secundini Monument at Ighel in the Duchy of Luxembourg

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and black ink with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/16 x 20 inches (33.5 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Village Snow Scene

Creator:: Robert Hills, 1769–1844
Date:: 1819
Materials & Techniques:: Watercolor and gouache over graphite with scraping out on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 16 15/16 inches (32 x 43.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Globe Inn

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured cream wove paper
Dimensions:: Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Loading Sacks into a Cart

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Pile Driving on the Banks of the Thames

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 26 1/8 inches (49.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Soldiers and Country Women

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View from the Dean's Garden, Christ Church, Oxford

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 3/4 inches (27.3 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Hotel de Ville, Hague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1859
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Battersea Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 19 1/2 inches (30.4 × 49.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Romantic Landscape with Figures and a Dog

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 22 7/8 inches (47.3 x 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Lismore Castle, Ireland

Creator:: Francis Wheatley, 1747–1801
Date:: 1783
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Garden of Thomas Sandby's House at Englefield Green near Windsor

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1800
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/4 inches (29.5 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Diana and Actaeon: A Study for a Panel on a Staircase

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Creator:: Francis Wheatley, 1747–1801
Date:: 1795
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Picnic

Creator:: attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 10 1/8 inches (16.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View near Auckland: Maori Warrior and Women

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. In Richmond Park

Creator:: John William Inchbold, 1830–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Illustration to the Virtuous Orphan

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 2 7/8 inches (12.4 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Almshouses in St. Cuthbert's Churchyard, Wells

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and gray and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 11 inches (22.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Notre Dame, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1845
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Madonna with a Rabbit

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor with gum arabic and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 3/4 inches (12.1 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Prospect of Vapourland

Creator:: Richard Bentley, 1708–1782
Date:: 1759
Materials & Techniques:: Brown and black ink and wash over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 18 1/2 x 24 7/8 inches (47 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Buckingham Palace from St. James's Park

Creator:: James Wilcox, active 1830
Date:: 1830
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Dilkoosha, Lucknow in the Distance

Creator:: William Simpson, 1823–1899
Date:: 1866
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 x 21 1/4 inches (35.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Deucalion and Pyrrha after the Flood

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Pen and black ink, pen and brown ink, watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 19 1/2 inches (30.5 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Woman and Tambourine

2. The Deluge

3. Apuleia in Search of Apuleius

4. Apuleia in Search of Apuleius

5. Rome from Monte Mario

6. The Woman and Tambourine

7. Val di Roppa, Corfu, 22 May 1868

8. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

9. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

10. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

11. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

12. I Found Him Beneath a Tree; Plate 3

13. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

14. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

15. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

16. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

17. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

18. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

19. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

20. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

21. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

22. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

23. The Book of Thel, Plate 4, "Why should the mistress . . . ."

24. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

25. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

26. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

27. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

28. Jerusalem, Plate 11, "To labours mighty...."

29. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

30. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

31. America. A Prophecy, Plate 16, "In the Flames Stood...."

32. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

33. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

34. The Poems of Thomas Gray, Design 55, "The Bard."

35. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

36. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

37. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

38. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

39. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

40. The Poems of Thomas Gray, Design 27, "A Long Story."

41. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

42. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

43. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

44. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

45. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

46. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

47. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

48. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

49. Jerusalem, Plate 37, "And One stood forth...."

50. Jerusalem, Plate 38, "His face and bosom...."

51. Illustrations of Imitation of Eclogue I, Page 16

52. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

53. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

54. Songs of Innocence and of Experience

55. Spring, from Songs of Innocence

56. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

57. The Book of Thel, Plate 4, "Why should the mistress . . . ."

58. Design for a Greenhouse at Kew Gardens

59. Roundway Park, Wiltshire: Exterior View

60. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

61. View of Lucan House

62. Hartwell, Buckinghamshire

63. Country Scene: Cottage and Figures on a Winding Road

64. The Village of Aldbury, Hertfordshire

65. Classical Composition

66. Design for the Parterre at Hampton Court

67. Woman on a Horse with Two Standing Women Overlooking a Landscape

68. Design for a portrait of an architect or a painter

69. The Fortune Teller

70. The Artist Sketching Mlle. de St. Legier as a Shepherdess

71. Roslin Castle, Midlothian

72. The Secundini Monument at Ighel in the Duchy of Luxembourg

73. A Village Snow Scene