Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
2
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
3
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
4
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
5
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
6
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
7
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
8
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
9
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
10
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
11
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
12
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
13
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
14
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
15
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
16
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
17
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
18
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
19
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
29
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
30
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
31
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
32
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
33
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
34
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
35
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
36
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
37
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
41
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
42
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
44
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
45
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
46
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
47
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
48
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
49
George Harley, 1791–1871
Ruins of Westminster Palace
1834
50
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
51
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
52
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
53
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
54
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
55
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
56
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
57
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
58
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
59
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
60
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
61
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
62
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
63
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
64
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
65
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
66
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
67
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
68
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
69
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
70
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
71
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
72
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
73
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
74
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
75
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
76
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
77
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
78
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
79
unknown artist
Henry VII Chapel, Westminster Abbey
undated
80
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
81
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
82
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
83
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
84
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
85
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
86
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
87
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
88
Attributed to John Carter, 1748–1817
Springing of groins
1815
89
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
90
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
91
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
92
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel