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William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake The Shepherd, from Songs of Innocence
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
John Martin The Rising of the Waters
Attributed to John Martin, 1789–1854
The Rising of the Waters
undated
John Martin Landscape with Courting Couple
John Martin, 1789–1854
Landscape with Courting Couple
1839
John Martin The Woman at the Well
Attributed to John Martin, 1789–1854
The Woman at the Well
undated
John Martin Christ with Three Figures
Attributed to John Martin, 1789–1854
Christ with Three Figures
undated
John Martin Mountainous Landscape with Figures and a Rock Above a Lake
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated
Master of the Giants Apollo and Daphne
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
John Maurer The Rotunda and Gardens, Ranelagh
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
John Middleton Woodland Scene with a Path Across a Stream
attributed to John Middleton, 1826–1856
Woodland Scene with a Path Across a Stream
undated
William Marlow Oxcart in the Grotto at Posillipo
William Marlow, 1740–1813
Oxcart in the Grotto at Posillipo
ca. 1770
Patrick Nasmyth Netley Abbey
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
Octavius Oakley A Gypsy Encampment
Octavius Oakley, 1800–1867
A Gypsy Encampment
undated
Hannah Linnell Palmer Bridge at Corpo di Cava
Hannah Linnell Palmer, 1818–1893
Bridge at Corpo di Cava
1838
Alfred Parsons From Dungeon Ghyll
Alfred Parsons, 1847–1920
From Dungeon Ghyll
undated
William Pars A Glade in a Wood
William Pars, 1742–1782
A Glade in a Wood
undated
Alexander Monro Landscape at Boxhill, Surrey
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
Henry Monro A Wooded Track
Henry Monro, 1791–1814
A Wooded Track
1813
Alexander Monro Buildings Belonging to Magdalen Hall, Oxford
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
John Monro Farm Building
John Monro, 1801–1880
Farm Building
undated
Alexander Monro Classical Landscape
Alexander Monro, 1802–1844
Classical Landscape
undated
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
John Monro Capel Church, Near Dorking, Surrey
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
Monro School Santa Giustina at Padua
Monro School
Santa Giustina at Padua
ca. 1820
Monro School Near Sterzing, Tyrol
Monro School
Near Sterzing, Tyrol
ca. 1800
Henry Moore High Tor, Matlock
Henry Moore, 1831–1895
High Tor, Matlock
undated
George Morland Landscape with Horses, Farmer and Dog
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
John Hamilton Mortimer Two Men Fighting Before a Woman
John Hamilton Mortimer, 1740–1779
Two Men Fighting Before a Woman
1771
Henry Morton The Fish Ponds
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
Henry Morton Old Buildings at Hastings
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
after 1819
Francis Place View of Windsor Castle
Francis Place, 1647–1728
View of Windsor Castle
undated
Joseph Powell Dunster Castle, Somerset: Showing Castle in Distance
Joseph Powell, 1780–1834
Dunster Castle, Somerset: Showing Castle in Distance
undated
Thomas Priest Lambeth Palace from Across the River
Thomas Priest, active 1738–1750
Lambeth Palace from Across the River
undated
Samuel Prout Kingsteignton, Devon
Samuel Prout, 1783–1852
Kingsteignton, Devon
ca. 1819
William Pars The Falls at Powerscourt, Co. Wicklow, Ireland
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
Sir Horace Jones Part of Goodrich Castle
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
unknown artist Botanical Garden/ Regent's Park 10 June 44
unknown artist
Botanical Garden/ Regent's Park 10 June 44
1844
James Wyatt Design for an Unidentified Country House
James Wyatt, 1746–1813
Design for an Unidentified Country House
ca. 1800
Edward Blore Design for a Park Gateway
Edward Blore, 1787–1879
Design for a Park Gateway
undated
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
James Miller Fountain's Boarding School, Marylebone
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
George Sidney Shepherd Wandshorst Church Surrey
George Sidney Shepherd, 1784–1862
Wandshorst Church Surrey
undated
unknown artist Great Oakley Hall, Northamptonshire
unknown artist
Great Oakley Hall, Northamptonshire
ca. 1840
Robert Streatfeild Llanerchydol Hall, Wales
Robert Streatfeild, 1786–1852
Llanerchydol Hall, Wales
undated
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
Charles Tomkins Swakeley House, Middlesex
Charles Tomkins, 1757–1823
Swakeley House, Middlesex
undated
Charles Tomkins Boston Manor, Brentford, Middlesex
Charles Tomkins, 1757–1823
Boston Manor, Brentford, Middlesex
undated
Sir George Howland Beaumont seventh Baronet Two Figures by the Side of a Pond and a Church in a Hilly Landscape
Sir George Howland Beaumont seventh Baronet, 1753–1827
Two Figures by the Side of a Pond and a Church in a Hilly Landscape
undated
Wenceslaus Hollar A View from St. Mary's, Southwark, Looking Towards Westminster
Wenceslaus Hollar, 1607–1677
A View from St. Mary's, Southwark, Looking Towards Westminster
ca. 1638
John Glover Man Sleeping Outdoors
John Glover, 1767–1849
Man Sleeping Outdoors
undated
John Glover St. Donat's Castle, Glamorganshire
John Glover, 1767–1849
St. Donat's Castle, Glamorganshire
undated
Lt. Gen. Charles Emilius Gold View near Auckland: Evening-Trees and Ferns
Lt. Gen. Charles Emilius Gold, 1803?–1871
View near Auckland: Evening-Trees and Ferns
ca. 1849
Charles Gore Garden of Vieux Joncs near Maestricht
Charles Gore, 1729–1807
Garden of Vieux Joncs near Maestricht
between 1784 and 1794
Charles Gore Gate Toward Bursit, Aix-la-Chappelle
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
Charles Gore Konigstein
Charles Gore, 1729–1807
Konigstein
1789
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
John Hassell The Villa of - Groote Esq near Bromley Kent
John Hassell, 1767–1825
The Villa of - Groote Esq near Bromley Kent
ca. 1812
John Hassell Sluice House, Hornsey, Middlesex
John Hassell, 1767–1825
Sluice House, Hornsey, Middlesex
ca. 1812
Thomas Hearne View of Bath from Spring Gardens
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790