Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
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34
Joseph Nollekens, 1737–1823
Tomb: Cherub Weeping by an Urn
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35
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
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36
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
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37
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
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38
Joseph Powell, 1780–1834
Fisherman's Quarters, Robin Hood's Bay
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39
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
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40
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
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41
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
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42
Edward Francis Burney, 1760–1848
Mother and Children Seated on Cloud
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43
Peter La Cave, active 1769–1810
Haymakers
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44
John Preston Neale, 1771/80–1847
Kingston Lacy, Dorset
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45
George Morland, 1763–1804
Peasants in a Grotto
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46
William Henry Pyne, 1769–1843
Poulterer's Shop
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47
John James Barralet, 1747–1815
View of Lucan House
1782
48
Thomas Rowlandson, 1756–1827
The Picnic
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49
Robert Dighton, 1752–1814
Bachelor's Hall
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50
Samuel Prout, 1783–1852
The Thatched Cottage
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51
Thomas Rowlandson, 1756–1827
Cat Like Courtship
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52
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
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53
Benjamin West, 1738–1820
Two Kneeling Figures
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54
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
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55
George Shepheard, ca. 1770–1842
Haughton, Field and Shepheard Fighting
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56
Matthew Haughton, 1768–1821
Author Reading from a Manuscript to Four Ladies
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57
James Gillray, 1756–1815
A London Street Crier
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58
William Hamilton, 1751–1801
Figures Harvesting
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59
Matthew Haughton, 1768–1821
A Fashionable Audience
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60
Benjamin West, 1738–1820
Study of Trees
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61
Benjamin West, 1738–1820
Page Boy Asleep
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62
Samuel Prout, 1783–1852
Church and Cottages
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63
Philippe-Jacques de Loutherbourg, 1740–1812
Rustics with Poultry Returning from Market
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64
Edward Calvert, 1799–1883
'I have formed thee for my praise'
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65
William Daniell, 1769–1837
Harwich, Essex
ca. 1820
66
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
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67
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
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68
Paul Sandby, 1731–1809
Election Scene
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69
John Thomas Smith, 1766–1833
Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
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70
Thomas Rowlandson, 1756–1827
Interior of a Stable
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71
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
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72
John Augustus Atkinson, 1775–1831
Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
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73
Thomas Rowlandson, 1756–1827
A Bit of Blood
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74
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
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75
Thomas Rowlandson, 1756–1827
Rag Fair or Rosemary Lane
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76
Thomas Rowlandson, 1756–1827
The Sailor's Return
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77
unknown artist
The Pottery Shop
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78
Thomas Rowlandson, 1756–1827
A Cavalry Barracks
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79
Thomas Rowlandson, 1756–1827
The Slaughterhouse
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80
Thomas Rowlandson, 1756–1827
New Shoes
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81
Thomas Rowlandson, 1756–1827
Three Horses in Stalls
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82
Thomas Rowlandson, 1756–1827
The Farmyard
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83
Thomas Rowlandson, 1756–1827
The London Citizen
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84
Thomas Rowlandson, 1756–1827
A Mother and Child
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85
Thomas Rowlandson, 1756–1827
The Riding School
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86
Thomas Rowlandson, 1756–1827
Cottage in a Forest Clearing
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87
Thomas Rowlandson, 1756–1827
Reflections, or the Music Lesson
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88
Thomas Rowlandson, 1756–1827
Gypsies Cooking on an Open Fire
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89
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)