Materials & Techniques: chine collé / Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

1. Hind Head Hill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Heriot's Hospital

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Lowestoffe Lighthouse (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 5/8 × 15 1/16 inches (52.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Harborough Sands (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Open etching on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Ehrenbreitstein

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Ullswater, Cumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1832
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826
Materials & Techniques:: Line engraving, First published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 16 7/16 inches (26.8 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, rough, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Fire at Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Fire at Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Sea The Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Sea The Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1829
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Harborough Sands (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 21 1/2 × 15 1/16 inches (54.6 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Lowestoffe Lighthouse (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching; open etched state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof (late) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, early engraver's proof on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Virginia Water No. 11

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Virginia Water No. 11

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 15 inches (30.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; early engraver's proof, touched on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1845
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Hardraw Fall

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1821
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 5/8 inches (32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. High Street, Edinburgh

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 7/8 inches (26.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Aysgarth Force

Creator:: Print made by John Scott, 1774–1828
Date:: 1820
Materials & Techniques:: Line engraving and etching on moderaetely thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Fall of the Trees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 3/8 inches (27.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 9/16 × 12 inches (24.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/8 × 12 3/4 inches (24.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1829
Materials & Techniques:: Line engraving, 2nd state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Stone Henge, Wiltshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Great Yarmouth

Creator:: Print made by William Miller, 1796–1882
Date:: 1829
Materials & Techniques:: Line engraving, 2nd state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Stone Henge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Line engraving and etching, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Richmond Hill and Bridge

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, 2nd state on moderarely thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 14 5/8 inches (27.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Laugharne Castle

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/16 × 11 7/8 inches (23.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Kenilworth Castle

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Etching and engraving, 2nd state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques chine collé

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Search Results

1. Hind Head Hill

2. Gloucester Cathedral

3. Heriot's Hospital

4. Lowestoffe Lighthouse (vignette)

5. Lowestoffe Lighthouse

6. Harborough Sands (vignette)

7. Richmond Hill and Bridge, Surrey

8. Ehrenbreitstein

9. The Entrance to Fowey Harbour, Cornwall

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19. Destruction of Both Houses of Parliament

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21. Destruction of Both Houses of Parliament

22. Palace of La Belle Gabrielle

23. Fire at Sea (vignette)

24. The Sea The Sea (vignette)

25. The Sea The Sea (vignette)

26. Florence from the Chiesa al Monte

27. Fonthill

28. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

29. The Custom House

30. The Custom House

31. Tivoli, a Composition

32. Cologne

33. Harborough Sands (vignette)

34. Lowestoffe Lighthouse (vignette)

35. Penmaen Mawr, Caernarvonshire

36. Aldborough

37. Aldborough

38. Aldborough

39. Dunwich, Suffolk

40. Aldborough

41. Aldborough

42. Dunwich, Suffolk

43. Orfordness

44. Orfordness

45. Ehrenbreitstein

46. Lake Albano

47. The Tower of London

48. Florence

49. Lake Albano

50. Lake Albano

51. Lake Albano

52. Lago Maggiore

53. Lago Maggiore

54. Lago Maggiore

55. Virginia Water No. 1

56. Virginia Water No. 1

57. Saumur

58. Virginia Water No. 1

59. Virginia Water No. 11

60. Virginia Water No. 11

61. Nantes

62. Saumur

63. Nantes

64. Nantes

65. Ehrenbreitstein

66. St. Germain-en-Laye

67. St. Germain-en-Laye

68. Nantes

69. Florence from the Chiesa al Monte

70. Florence, from the Chiesa al Monte

71. The Grand Canal, Venice

72. Modern Italy

73. Modern Italy

74. Ehrenbreitstein