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Collection Prints and Drawings

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Period 18th century

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William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Landscape with Trees and Figures
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Aerial Group: The Tempest
George Romney, 1734–1802
Aerial Group: The Tempest
undated
George Romney Shepherdess Cutting an Inscription on a Tree
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
Mary Harcourt On the Rhone
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
Valentine Green Peter and John Going to the Sepulchre
Print made by Valentine Green, 1739–1813
Peter and John Going to the Sepulchre
1784
Valentine Green The Three Marys Going to the Sepulchre
Print made by Valentine Green, 1739–1813
The Three Marys Going to the Sepulchre
1784
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
William Sharp Niobe
Print made by William Sharp, 1749–1824
Niobe
1792
John Dixon Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
John Dixon, ca. 1740–1811
Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
1769
James Walker Bridgenorth
Print made by James Walker, 1748–1808
Bridgenorth
1795
James Walker Rochester
Print made by James Walker, 1748–1808
Rochester
1794
Edward Fisher Admiral Augustus Keppel, Viscount Keppel
Edward Fisher, 1722–1785
Admiral Augustus Keppel, Viscount Keppel
1759
John Baptist Jackson The Virgin in the Clouds and Six Saints
Print made by John Baptist Jackson, 1701–1780
The Virgin in the Clouds and Six Saints
1742
George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
Giovanni Battista Borra Scoglio di Silla nel Faro di Mesina
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
Thomas Boydell A Small Breeze
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
John Boydell The Boscawen and Sheerness Privateers
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
John Boydell A Calm
Print made by John Boydell, 1720–1804
A Calm
1754
Richard Earlom Smugglers Defeated
Print made by Richard Earlom, 1743–1822
Smugglers Defeated
ca. 1798
John Boydell Morning
Print made by John Boydell, 1720–1804
Morning
1753
John Boydell Greenland Fishery
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
John Boydell Evening
Print made by John Boydell, 1720–1804
Evening
1755
John Boydell The Wreck of the Nuestra Senora de los Remedios
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Henry William Bunbury The Judgement of Paris
Print made by Henry William Bunbury, 1750–1811
The Judgement of Paris
1771
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
George Siegmund Facius West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
George Siegmund Facius West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
1785
George Siegmund Facius West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
1785
George Siegmund Facius West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Temperance
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Faith
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Hope
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Hope
1781
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Justice
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
Francesco Bartolozzi Venus Childing Cupid
Francesco Bartolozzi, 1728–1815
Venus Childing Cupid
1784
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720