Materials & Techniques: line engraving / Collection: Prints and Drawings / Period: 19th century

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

William Henry Brooke, 1772–1860

Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

undated

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Samuel Cousins, 1801–1887

The Countess of Blessington

1837

Print made by Samuel Cousins, 1801–1887

Mrs. Lister

1834

Print made by Samuel Cousins, 1801–1887

Sunshine of Love

1837

Print made by Robert Graves, 1798–1873

William Esdaile

1826

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Print made by Robert Brandard, 1805–1862

Blois

1933

Print made by Robert Wallis, 1794–1878

Palais de Blois

1833

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, Near Tours

1833

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by James T. Willmore, 1800–1863

Saumur

1833

Print made by James T. Willmore, 1800–1863

Clairmont

1833

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by James T. Willmore, 1800–1863

Tancarville

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1833

Print made by Robert Brandard, 1805–1862

Château de Tancarville, with Town of Quilleboeuf

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by William Miller, 1796–1882

Rouen, Looking Down the River

1833

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by Robert Brandard, 1805–1862

Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by James T. Willmore, 1800–1863

Pont de l'Arche

1835

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by S. Fisher, active 1831–1844

Saint Denis

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by John Cousen, 1804–1880

Bridge of Meulan

1835

Print made by James T. Willmore, 1800–1863

Paris from the Barriere de Passy

1835

Print made by William Radclyffe, 1780–1855

Marche aux Fleurs and the Pont-au-Change

1835

Print made by William Radclyffe, 1780–1855

Bridges of St. Cloud and Sevres

1835

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by William Miller, 1796–1882

Melun

1835

Print made by James Charles Armytage, 1802–1897

Troyes

1835

Print made by Thomas Higham, 1796–1844

Boulevards, Paris

1835

Print made by Thomas Higham, 1796–1844

Orleans

1833

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by Robert Brandard, 1805–1862

St. Florent

1833

Print made by James T. Willmore, 1800–1863

Montjen

1833

Print made by Robert Wallis, 1794–1878

Saumur

1833

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by Robert Brandard, 1805–1862

Graville

1834

Print made by James T. Willmore, 1800–1863

Le Havre

1833

Print made by William Miller, 1796–1882

Château de Nantes

1833

Print made by James T. Willmore, 1800–1863

The Lanterne of St. Cloud

1835

Print made by Samuel Cousins, 1801–1887

Lady Acland and Children

1826

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Materials & Techniques line engraving

Collection Prints and Drawings

Period 19th century

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Period 19th century

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