Materials & Techniques: stipple engraving / Image Available: Available

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by Thomas Ryder, 1746–1810

The Captive

1786

Conrad Martin Metz, 1749–1827

The Resurrection of the Dead

1801

Conrad Martin Metz, 1749–1827

The Elect

1801

Conrad Martin Metz, 1749–1827

Christ the Judge and Saints John the Baptist and Abel

1801

Francesco Bartolozzi, 1728–1815

Lord Burghersh as a Boy

1788

Edward Harding, 1755–1840

Sir John Medina

1797

Print made by unknown artist

Sir Godfrey Kneller

undated

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Print made by John Chapman, active ca. 1792–1823

Angelica Kauffmann

undated

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Print made by Francis Croll, baptized 1826–1854

Rev.d John Thomson

undated

Print made by unknown artist

Hermitage Castle, Border Minstrelsy

Print made by Samuel Freeman, 1773–1857

Henry Tresham, R. A

1809

Print made by George Chinnery, 1774–1852

Henry Tresham, Esq, R.A

1802

Print made by Henry Hoppner Meyer, ca. 1782–1847

Henry Tilson, Painter

between 1800 and 1840

Alexander Bannerman, ca. 1730–1780

Anthony Vandyck

undated

Alexander Bannerman, ca. 1730–1780

Anthony van Dyck

undated

Print made by R. Clamp, fl.1789–1798

John Taylor

1796

Print made by Anthony Cardon, 1772–1813

Henry Tresham, Esq. R. A

1814

after George Baxter, 1804–1867

The Death of Ananias

after 1855

Print made by James Caldwall, 1739–1819

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

John Raphael Smith, 1752–1812

A Maid - Une Pucelle

1791

Print made by Daniel Orme, 1766–1837

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

1793

John Raphael Smith, 1752–1812

A Widow - Une Veuve

1791

John Raphael Smith, 1752–1812

What You Will - Ce Qui Vous Plaira

1791

Print made by William Ward, 1766–1826

Thoughts on Matrimony

1786

John Romney, 1786–1863

Francesco Bartolozzi, Esqr. R.A

1795

Print made by John Samuel Agar, ca. 1773–1858

Sir George Beaumont, Bart

1812

Thomas Harland, active early 19th century

Charles Barry

undated

Print made by Samuel Cousins, 1801–1887

Sir Thomas Lawrence P. R. A

1830

Francesco Bartolozzi, 1728–1815

Ticket for the Theatre Royal, Covent Garden

Between 1775 and 1800

Francesco Bartolozzi, 1728–1815

Cupid and Psyche

1789

Francesco Bartolozzi, 1728–1815

Concert Ticket For The Benefit of Madame Banti

1795

Print made by Francesco Bartolozzi, 1728–1815

John Henderson as Iago

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1763

Print made by Francesco Bartolozzi, 1728–1815

For the Benefit of Mr. Borghi

1789

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1770

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1780

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1780

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1782

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

between 1768 and 1776

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1778

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

between 1768 and 1776

Francesco Bartolozzi, 1728–1815

Ticket to Mr. Fierville's Ball

1781

Print made by Francesco Bartolozzi, 1728–1815

Hanover Square

1782

Francesco Bartolozzi, 1728–1815

Ticket to Mr. Fierville's Ball

1781

Francesco Bartolozzi, 1728–1815

Ticket to Mr. Fierville's Ball

1781

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

Print made by Francesco Bartolozzi, 1728–1815

Lady Gertrude, Marchioness of Halifax

1776

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

James Fittler, 1758–1835

Mail Coach

ca. 1787

Print made by Francesco Bartolozzi, 1728–1815

Samuel Johnson

1785

Samuel Freeman, 1773–1857

Samuel Johnson

1812

Print made by John Condé, 1765–1794

T. Banks, Sculptor, R. A

1791

Peter Simon, 1750–1810

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

1789

Print made by William Baillie, 1723–1810

Captain William Baillie

between 1750 and 1810

Print made by James Heath, 1757–1834

James Barry, Esq

after 1806

Print made by Matthew Darly, active 1754–1778

Matthew Darly

1775

unknown artist

Henry Fuseli, Esq

1808

Print made by unknown artist

Richard Cosway

1788

Print made by Samuel Freeman, 1773–1857

Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

1810

Charles Fox, 1749–1809

John Burnet, Author of "Practical Hints on Painting"

1827

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Sal Pietro

1773

Francesco Bartolozzi, 1728–1815

Adelaide

1798

Francesco Bartolozzi, 1728–1815

Ticket for the Brandenbourg House Masquerade

ca. 1797

Francesco Bartolozzi, 1728–1815

Fonrose

1798

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

between 1769 and 1787

Print made by Francesco Bartolozzi, 1728–1815

Dr. John Fothergill

1782

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745