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101. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Europe. A Prophecy, Plate 8 (Bentley 9)

Europe. A Prophecy, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. The Poems of Thomas Gray, Design 23, "A Long Story."

The Poems of Thomas Gray, Design 23, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. The Poems of Thomas Gray, Design 25, "A Long Story."

The Poems of Thomas Gray, Design 25, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. The Poems of Thomas Gray, Design 29, "A Long Story."

The Poems of Thomas Gray, Design 29, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

The Poems of Thomas Gray, Design 37, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. The Poems of Thomas Gray, Design 39, "Ode to Adversity."

The Poems of Thomas Gray, Design 39, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The Poems of Thomas Gray, Design 59, "The Bard."

The Poems of Thomas Gray, Design 59, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

The Poems of Thomas Gray, Design 81, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. The Poems of Thomas Gray, Design 99, "Ode for Music."

The Poems of Thomas Gray, Design 99, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. The Poems of Thomas Gray, Design 93, "Ode for Music."

The Poems of Thomas Gray, Design 93, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Poems of Thomas Gray, Design 95, "Ode for Music."

The Poems of Thomas Gray, Design 95, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Songs of Innocence, Plate 16, "Night" (Bentley 20)

Songs of Innocence, Plate 16, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

The Poems of Thomas Gray, Design 77, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. The Poems of Thomas Gray, Design 79, "The Descent of Odin."

The Poems of Thomas Gray, Design 79, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

The Poems of Thomas Gray, Design 85, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Visions of the Daughters of Albion, Plate 1, Frontispiece

Visions of the Daughters of Albion, Plate 1, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Visions of the Daughters of Albion, Plate 2, Title Page

Visions of the Daughters of Albion, Plate 2, Title Page
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color monotype, watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Tiriel Supporting the Dying Myratana and Cursing His Sons

Tiriel Supporting the Dying Myratana and Cursing His Sons
Creator:
William Blake, 1757–1827
Date:
1786 to 1789
Materials & Techniques:
Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Ruins of the Basilica of Maxentius in the Roman Forum

Ruins of the Basilica of Maxentius in the Roman Forum
Creator:
Abraham Louis Rodolphe Ducros, 1748–1810
Date:
1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on laid paper
Dimensions:
Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule

Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Black ink over traces of graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Cobham Hall, Kent: Plan of Stables and Part of Brewhouse

Cobham Hall, Kent: Plan of Stables and Part of Brewhouse
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on thick, smooth beige laid paper
Dimensions:
Sheet: 4 1/4 x 4 1/4 inches (10.8 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Cobham Hall, Kent: Drawing for Wall Decoration

Cobham Hall, Kent: Drawing for Wall Decoration
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/2 inches (38.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Cobham Hall, Kent: Plan of Staircase

Cobham Hall, Kent: Plan of Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Cobham Hall, Kent: Plan of West End of South Wing

Cobham Hall, Kent: Plan of West End of South Wing
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Cobham Hall, Kent: Plan of Parlor Floor

Cobham Hall, Kent: Plan of Parlor Floor
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Cobham Hall, Kent: Design for a Lintel for One End of a Passage

Cobham Hall, Kent: Design for a Lintel for One End of a Passage
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 8 inches (33.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Cobham Hall, Kent: Unidentified Plan for a Passage

Cobham Hall, Kent: Unidentified Plan for a Passage
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink on thick, medium, beige wove paper
Dimensions:
Sheet: 14 1/4 x 10 3/8 inches (36.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered

Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 19 7/8 inches (34.3 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Cobham Hall, Kent: Elevation of Colonnade with Balustraded Parapet

Cobham Hall, Kent: Elevation of Colonnade with Balustraded Parapet
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End

Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 x 20 1/8 inches (35.6 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Cobham Hall, Kent: Plan of Tower Staircase from Principal to the Chamber Floor

Cobham Hall, Kent: Plan of Tower Staircase from Principal to the Chamber Floor
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black, brown and pink ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 11 3/4 inches (47.3 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Cobham Hall, Kent: Plan of Tower Staircase

Cobham Hall, Kent: Plan of Tower Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Watercolor, brown and black ink, pen and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 x 19 inches (30.5 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Cobham Hall, Kent: Section of Tower Staircase

Cobham Hall, Kent: Section of Tower Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 x 12 5/8 inches (45.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Cobham Hall, Kent: Elevation of Dairy

Cobham Hall, Kent: Elevation of Dairy
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 21 3/4 inches (33.7 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 25 3/4 inches (53.3 x 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Cobham Hall, Kent: Plan of Tower Staircase

Cobham Hall, Kent: Plan of Tower Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink, yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Cobham Hall, Kent: Plan of Stables

Cobham Hall, Kent: Plan of Stables
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on two joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 34 x 34 inches (86.4 x 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Cobham Hall, Kent: Plan of Tower Staircase

Cobham Hall, Kent: Plan of Tower Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Black and brown ink, pen and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 19 inches (30.2 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 25 1/2 inches (54.3 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Cobham Hall, Kent: South Elevation of Stables

Cobham Hall, Kent: South Elevation of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 21 1/2 inches (33 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Cobham Hall, Kent: Plan of Stables and Coach Houses

Cobham Hall, Kent: Plan of Stables and Coach Houses
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured beige laid paper
Dimensions:
Sheet: 21 1/4 x 35 inches (54 x 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Cobham Hall, Kent: Mezzanine Floor Plan of Stables

Cobham Hall, Kent: Mezzanine Floor Plan of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, medium, cream laid paper
Dimensions:
Sheet: 12 3/4 x 21 1/4 inches (32.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Cobham Hall, Kent: West Front Elevation of the Stables

Cobham Hall, Kent: West Front Elevation of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 21 1/2 inches (31.8 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 21 3/8 inches (33.3 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Cobham Hall, Kent: New Passage by Butler's Pantry

Cobham Hall, Kent: New Passage by Butler's Pantry
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Herstmonceux Castle, Sussex

Herstmonceux Castle, Sussex
Creator:
Samuel Buck, 1696–1779
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 13/16 x 14 3/4 inches (17.3 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. The Duel: 'Twelfth Night,' Act III, Scene IV

The Duel: 'Twelfth Night,' Act III, Scene IV
Creator:
Henry William Bunbury, 1750–1811
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

186. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/4 x 25 1/4 inches (52.7 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Cobham Hall, Kent: Plan of the Stables

Cobham Hall, Kent: Plan of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/2 inches (54.3 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 18 5/8 inches (64.1 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Plans of Ancient Roman Baths - Terme de M Agrippa

Plans of Ancient Roman Baths - Terme de M Agrippa
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with and pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Lowther House, Westmorland: Elevation of the Court Front

Lowther House, Westmorland: Elevation of the Court Front
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Lowther House, Westmorland: Elevation of the Garden Front

Lowther House, Westmorland: Elevation of the Garden Front
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Whitton House, Middlesex: Elevation of the Court Front

Whitton House, Middlesex: Elevation of the Court Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 3/8 inches (31.4 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Whitton House, Middlesex: Elevation of the Court Front

Whitton House, Middlesex: Elevation of the Court Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 18 3/16 inches (30.2 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Whitton House, Middlesex: Elevation of the East Front

Whitton House, Middlesex: Elevation of the East Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 16 5/16 inches (30.5 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Whitton House, Middlesex: First Floor Plan

Whitton House, Middlesex: First Floor Plan
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Whitton House, Middlesex: Mezzanine and Attic Floor Plans

Whitton House, Middlesex: Mezzanine and Attic Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 18 7/16 x 12 7/16 inches (46.8 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 1/8 inches (44.8 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. The Murder of Kenith Hossack by Captain Lowry

The Murder of Kenith Hossack by Captain Lowry
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 4 inches (16.2 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Pursuit (Probably a Design for The Tyburn Chronicle)

The Pursuit (Probably a Design for The Tyburn Chronicle)
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink and pen and brown ink on medium, slightly textured cream laid paper
Dimensions:
Sheet: 6 3/8 × 4 1/8 inches (16.2 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Soldiers and Country Women

Soldiers and Country Women
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection