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Materials & Techniques brown ink
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Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
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201
- Hounds in a Landscape
- undated
202
- Frightened Horse Tied to a Post
- undated
203
- Myles Sandys' Hounds and Huntsmen Scenting a Hare
- undated
204
- Two Horses' Heads
- undated
205
- Hare Hunting
- undated
206
- The Saddling Enclosure, Epsom
- undated
207
- Myles Sandys' Hounds and Huntsmen Starting a Hare
- undated
208
- Man Asleep leaning against a table
- undated
209
- Providence—The Protection of Drunken Men
- ca. 1784
210
- A Rhinoceros in the Peshwa's Menagerie at Poona
- 1790
211
- Gates of the Alhambra: Puerta de los Siete Suelos
- 1775 to 1776
212
- Door of the New Palace at the Alhambra
- 1775 to 1776
213
- Châteaux
- undated
214
- Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
- undated
215
- Bois, France
- undated
216
- View of a Valley with Ruins at Sardis
- ca. 1750
217
- Frieze and Capital of the Ionic Temple at Toreh
- ca. 1750
218
- View of Micale Promontorio
- ca. 1750
219
- Plan of the Port of Sigacik (ancient Teos)
- ca. 1750
220
- View of Sigacik (Ancient Teos)
- ca. 1750
221
- View of a Long Aqueduct
- ca. 1750
222
- Is'Tmo e Penisola di Cizico
- ca. 1750
223
- View of Maglova Aqueduct
- ca. 1750
224
- View of Tivoli in the Direction of the North Wind
- ca. 1750
225
- View of the Ruined Baths at Hadrian's Villa at Tivoli
- ca. 1750
226
- Aquedotto Angolare
- ca. 1750
227
- Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
- ca. 1750
228
- Plan and View of a Cave, Temple, or Tomb
- ca. 1750
229
- View, Cross Section, and Other Details of Cheop's Pyramid at Giza
- ca. 1750
230
- Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
- ca. 1750
231
- Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
- ca. 1750
232
- Samos
- ca. 1750
233
- Details of a Doric Order from Toreh
- ca. 1750
234
- View of Artaki (now Erduk)
- ca. 1750
235
- Study of a Stone Mausoleum
- 1802-1804
236
- Reconstruction of the Second Theatre at Laodicea
- ca. 1750
237
- Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
- ca. 1750
238
- Is'Tmo di Cizico unito al Continente
- ca. 1750
239
- Reggio di Calabria
- ca. 1750
240
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
241
- Arch of Hadrian
- ca. 1804
242
- North Porch of the Erectheion, Athens
- ca. 1804
![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
243
- August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
- undated
244
- December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
- undated
![Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)](https://media.collections.yale.edu/thumbnail/ycba/f8db807a-6d7f-48bc-910a-9b7ddb6f96f0)
245
- April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
- undated
246
- November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
- undated
247
- Southhampton, the Watergate and Globe Inn
- undated
248
- Ladies at Tea
- between 1790 and 1795
249
- Design for a Monument
- undated
250
- Skech for Timon of Athens
- undated
251
- Landscape with Temple Ruins at Sunium
- undated
252
- Langley Park, Norfolk: Elevation
- 1757
253
- View on the Liris at Isola di Sora
- 1790
254
- Design for a Gothic Tower: East Elevation
- undated
255
- The Miseries of the Country
- undated
256
- A Grub Street Poet
- undated
257
- An Old Coquette Outstood her Market
- between 1815 and 1820
258
- Norwich Market Place
- undated
259
- Kitty Overcome
- 1821
260
- Figures Walking in a Landscape
- undated
261
- Sketch for 'The Continence of Scipio'
- undated
262
- Embarkation at Southampton, June 20th 1794 (Version A)
- 1794
263
- Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome
- between 1750 and 1755
264
- The London Citizen
- undated
265
- Embarkation at Southampton, June 20th 1794
- 1794
266
- The South Gate, Exeter
- undated
267
- Going to Market
- undated
268
- Two Sleeping Figures
- undated
269
- Labourers at Rest
- between 1790 and 1795
270
- A Livery Stable
- undated
271
- Covent Garden Market
- between 1795 and 1810
272
- Jack Bannister in his Dressing Room
- 1783
273
- Horsemen Colliding
- between 1785 and 1790
274
- The Toll-Gate
- undated
275
- Parisian Street Figures
- 1786
276
- A Group of Five Bulls about to Fight
- ca. 1810
277
- New Shoes
- undated
278
- Part of the Old Dormitory
- 1815
279
- Design for a Decoration at Chatsworth
- undated
280
- Christ Disputing with the Elders in the Temple
- undated
281
- Sketchbook Drawing
- 1787
282
- Sketchbook Drawing
- 1787
283
- Sketchbook Drawing
- 1787
284
- Sketchbook Drawing
- 1787
285
- Sketchbook Drawing
- 1787
286
- Sketchbook Drawing
- 1787
287
- Sketchbook Drawing
- 1787
288
- Sketchbook Drawing
- 1787
289
- Sketchbook Drawing
- 1787
290
- Sketchbook Drawing
- 1787
291
- Sketchbook Drawing
- 1787
292
- Sketchbook Drawing
- 1787
293
- Sketchbook Drawing
- 1787
294
- Sketchbook Drawing
- 1787
295
- Sketchbook Drawing
- 1787
296
- Sketchbook Drawing
- 1787
297
- Sketchbook Drawing
- 1787
298
- Sketchbook Drawing
- 1787
299
- Sketchbook Drawing
- 1787
300
- Sketchbook Drawing
- 1787