Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: cityscape and marine art / Image Available: Available / Image Use: Free to Use

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Miller, 1796–1882

Mayence

1834

Print made by John Horsburgh, 1791–1869

Calais

1836

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by William Miller, 1796–1882

Inverness

1836

Print made by John Horsburgh, 1791–1869

Hotel de Ville, Paris

1834

Print made by William Miller, 1796–1882

Inverness

1836

Print made by Edward Francis Finden, 1791–1857

The Red Sea and Suez

1835

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by Bradshaw & Blacklock, active ca.1850

Greenwich Hospital

after 1850

Print made by Robert Wallis, 1794–1878

The Chain Pier, Brighton

between 1859 and 1861

Print made by John Horsburgh, 1791–1869

Hotel de Ville, Paris (Vignette)

1834

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Wilfred Williams Ball, 1853–1917

Venice from the Lagoon

undated

Edward Francis Finden, 1791–1857

Yarmouth, Norfolk

1837

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by William Miller, 1796–1882

Venice - the Campanile

1835

Print made by William Miller, 1796–1882

Mayence

1834

Print made by unknown artist

A View of the Mole and the New Castle at Naples

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

James Charles Armytage, 1802–1897

Approach to Venice

between 1859 and 1861

Print made by William Miller, 1796–1882

Mayence

1834

Print made by William Miller, 1796–1882

Inverness

1836

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by William Miller, 1796–1882

Inverness

1836

Print made by James Charles Armytage, 1802–1897

Approach to Venice

between 1859 and 1861

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by George Cooke, 1781–1834

Brighthelmstone, Sussex

1825

Print made by Robert Wallis, 1794–1878

Lancaster, from the Aqueduct Bridge

1827

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by William Miller, 1796–1882

Chatham, Kent

1832

Print made by Robert Wallis, 1794–1878

Margate, Kent

1832

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre cityscape

Genre marine art

Image Available Available

Image Use Free to Use

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre cityscape

Genre marine art

Image Available Available

Image Use Free to Use

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