Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor
1780
105
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
106
Edward Fisher, 1722–1785
Miss Farren in the Character of Hermione
1781
107
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
108
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
109
unknown artist
Shakespeare Illustration: "Henry VIII"
undated
110
Print finished by John Dixon, ca. 1740–1811
Garrick as Abel Drugger in "The Alchemist"
1776
111
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
112
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
113
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
114
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
115
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
116
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
117
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
118
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
119
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
120
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
121
Print made by Pieter van Bleeck, 1700–1764
Griffin and Johnson
1748
122
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
123
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
124
Robert Smirke, 1752–1845
Taming of the Shrew
1821
125
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
126
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
127
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
128
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
129
Print made by Thomas Bewick, 1753–1828
Dog and the Shadow
1909
130
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
131
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
132
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
133
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
134
Valentine Green, 1739–1813
Rinaldo and Armida
1775
135
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
136
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
137
Keith Vaughan, 1912–1977
Faim, Soif, Cris, Danse, Danse, Danse
1949
138
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
139
John Finlayson, 1730–1776
David Garrick in the Character of 'Kitely'
1769
140
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
141
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
142
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
143
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
144
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
145
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
146
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
147
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
148
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
149
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
150
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
151
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
152
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
153
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
154
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
155
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
156
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
157
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
158
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
159
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
160
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
161
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
162
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
163
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
164
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
165
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
166
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
167
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
168
Print made by Robert Blyth, 1750–1784
The Captive
1781
169
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
170
unknown artist
Mrs. Yates in the Character of Medea
after 1771
171
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
172
unknown artist
Troilus and Cressida?
undated
173
unknown artist
Scene from the Inferno
undated
174
unknown artist
Scene from the Inferno Dramatic Landscape
undated
175
unknown artist
Scene from the Tempest
undated
176
unknown artist
Titania and Bottom from A Midsummer Night's Dream
undated
177
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
178
Mary Hoare, 1744–1820
Prospero and Miranda
1781
179
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
180
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
181
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
182
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
183
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
184
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
185
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1