Materials & Techniques: line engraving / Collection: Prints and Drawings / Period: 19th century / Subject Terms: religious and mythological subject

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Thomas Abiel Prior, 1809–1886

The Goddess of Discord in the Garden of Hesperides

between 1859 and 1861

Print made by Lumb Stocks, 1812–1892

Apollo Killing the Python

between 1859 and 1861

Print made by Edward Goodall, 1795–1870

Dido Building Carthage

between 1859 and 1861

Print made by James Baylis Allen, 1803–1876

Decline of Carthage

between 1859 and 1861

Print made by Robert Brandard, 1805–1862

The Bay of Baiæ

between 1859 and 1861

Print made by Edward P. Brandard, 1819–1898

Apollo and Daphne in the Vale of Tempe

between 1859 and 1861

Print made by Charles Cousen, ca. 1819–1889

Bacchus and Ariadne

between 1859 and 1861

Francesco Bartolozzi, 1728–1815

Reverend Hugh Blair, D.D

1801

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

James Henry Watt, 1799–1867

St. Cecilia

1834

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Edward Goodall, 1795–1870

The Nile

1839

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Charles Picart, c.1780–1837

Reverend Beilby Porteus, Lord Bishop of London

1809

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by James Baylis Allen, 1803–1876

Temple of Jupiter Panhellenius, Aegina

between 1859 and 1861

Print made by Thomas Abiel Prior, 1809–1886

The Golden Bough

1875

Print made by James T. Willmore, 1800–1863

Mercury and Argus

between 1859 and 1861

Print made by James Baylis Allen, 1803–1876

Phryne going to the Bath as Venus

between 1859 and 1861

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey

1828

Print made by Thomas Jeavons, ca. 1800–1867

Infanticide in India, as Practised in the Temples of Ganesa

ca. 1840

Print made by Bell, active 1840s

Key to Plate of Hindu Fakirs Practising their Superstitious Rites

ca. 1840

Print made by S. Fisher, active 1831–1844

Shrine of Raiman Shah Doola, Ellichpur

ca. 1840

Print made by T. Kelly, active ca. 1837

Devotees in India Sacrificing Themselves to the Idol Juggernaut

1837

Print made by James Redaway, 1797–1858

A Suttee

1844

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

Print made by Bell, active 1840s

Hindu Fakirs Practising their Superstitious Rites

ca. 1840

Print made by Thomas Higham, 1796–1844

Pilgrims at the Sacred Fair of Hurdwar

1836

Print made by Edward Goodall, 1795–1870

The Nile

1839

Print made by Thomas Cook, 1744–1818

Time Smoking a Picture

early 1800s

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiae, Apollo and the Sibyl

1873

Print made by James T. Willmore, 1800–1863

The Golden Bough

1856

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1828

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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Materials & Techniques line engraving

Collection Prints and Drawings

Period 19th century

Subject Terms religious and mythological subject

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Materials & Techniques line engraving

Collection Prints and Drawings

Period 19th century

Subject Terms religious and mythological subject

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