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Materials & Techniques: mezzotint

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On view at the Yale University Art Gallery
Print made by Joseph Mallord William Turner, 1775–1851

Ship in a Storm

ca. 1826
On view at the Yale University Art Gallery
Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

1820 to 1825
On view at the Yale University Art Gallery
Print made by Joseph Mallord William Turner, 1775–1851

St. Michael's Mount

1820 to 1826
On view at the Yale University Art Gallery
Print made by Joseph Mallord William Turner, 1775–1851

Paestum

between 1820 and 1826
On view at the Yale University Art Gallery
Print made by Philip Dawe, ca.1750–ca.1790

The Oyster Woman

1769
On view at the Yale University Art Gallery
Print made by John Martin, 1789–1854

The Deluge

1828
On view at the Yale University Art Gallery
Print made by William Say, 1768–1834

Cupid and Psyche

1816
On view at the Yale University Art Gallery
Print made by Philip Dawe, ca.1750–ca.1790

The Pretty Ballad Singer

1769
Accessible in the Study Room
George Stubbs, 1724–1806

A Tyger (Sleeping Leopard)

1788
Accessible in the Study Room
George Stubbs, 1724–1806

Death of the Doe

1817
Accessible in the Study Room
Print made by William Hogarth, 1697–1764

Paul before Felix Burlesqued

1751
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Interior of a Church

1819
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Isis

1819
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Ben Arthur, Scotland

1819
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

East Gate, Winchelsea, Sussex

1819
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Bonneville, Savoy

1816
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

The Source of the Arveron in the Valley of Chamouni, Savoy

1816
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Ville de Thun, Switzerland

1816
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Norham Castle on the Tweed

1816
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Solway Moss

1816
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Dumblain Abbey, Scotland

1816
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Rivaux Abbey, Yorkshire

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

River Wye

1812
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Peat Bog, Scotland

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Chain of Alps from Grenoble to Chamberi

1812
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Calm

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Winchelsea, Sussex

1812
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Crypt of Kirkstall Abbey

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

The Mildmay Sea-Piece

1812