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Collection
Prints and Drawings
102
Creator
Varley, John, 1778–1842
37
Blake, William, 1757–1827
24
Alexander, William, 1767–1816
6
Girtin, Thomas, 1775–1802
5
Parish, Henry William, active 1792
4
Cockburn, James Pattison, 1779–1847
3
Crosse, Richard, 1742–1810
3
Daniell, Thomas, 1749–1840
2
Davis, Samuel, 1760–1819
2
Harraden, Richard Banks, 1778–1862
2
Smith, Joseph Clarendon, 1778–1810
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Unknown artist
2
Chalon, John James, 1778–1854
1
Daniell, William, 1769–1837
1
Edwards, Edward, 1738–1806
1
Ellice, Jane Lady, 1813–1864
1
Gore, Charles, 1729–1807
1
Hand, Thomas, died 1804
1
Harley, George, 1791–1871
1
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Date
1800
263
1772
237
1791
180
1832
165
1804
150
1794
148
1797
146
1814
144
1752
140
1771
135
1790
125
1792
107
1793
[remove]
102
1799
97
1839
93
1784
92
1795
90
1789
88
1785
84
1801
84
1818
84
1802
80
1825
76
1796
75
1820
65
1807
61
1798
60
1780
59
1812
58
1830
58
1817
56
1805
55
1745
54
1815
54
1755
52
1787
51
1700
50
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50
1774
49
1810
47
1782
45
0
42
1783
42
1808
42
1811
42
1828
42
1803
41
1827
40
1840
40
1740
39
1835
39
1855
38
1821
37
1819
36
1834
36
1781
35
1768
34
1823
34
1778
33
1813
32
1826
32
1764
29
1765
29
1788
29
1809
27
1837
27
1761
26
1763
26
1777
26
1786
26
1844
26
1748
25
1776
25
1806
25
1816
22
1841
22
1753
21
1779
21
1831
21
1838
21
1770
20
1829
20
1746
19
1822
19
1762
18
1833
18
1836
18
1757
17
1843
17
1845
17
1848
17
1754
16
1759
16
1824
16
1850
16
1744
15
1766
15
1864
15
1842
14
1699
13
On-site Access
Accessible by appointment in the Study Room
102
Image Use
Free to Use
102
Image Available
Available
[remove]
102
Classification
Drawings & Watercolors
75
Prints
24
Drawings & Watercolors-Miniatures
3
Creator Gender
male
102
unknown
2
female
1
Collective Title
America. A Prophecy, Copy M
18
Visions of the Daughters of Albion, Copy I
6
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
4
The Costume of China
1
Views in the Province of Kiang Nan, China
1
Period
18th century
54
18th century-19th century
48
Materials & Techniques
watercolor
[remove]
102
wove paper
76
graphite
54
black ink
33
relief etching
24
laid paper
23
color printing
10
gouache
10
brown ink
8
black chalk
3
gray ink
3
ivory
3
board
2
gray wash
2
pen
2
scratching out
2
brown wash
1
card
1
cartridge paper
1
gum
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
8
to
61
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
7
to
83
Work Type
watercolor
[remove]
102
drawing
95
relief print
24
miniature
3
frontispiece
2
Genre
landscape
49
architectural subject
29
religious and mythological subject
18
marine art
13
genre subject
12
cityscape
10
literary theme
7
portrait
3
animal art
1
figure study
1
sporting art
1
Subject Terms
landscape
48
trees
41
men
31
architectural subject
29
clouds
25
text
22
nudes
19
religious and mythological subject
18
boats
17
figures
17
river
15
women
15
hills
12
houses
12
buildings
11
genre subject
11
mountains
11
cityscape
10
marine art
10
rocks (landforms)
9
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Subject Terms
»
Associated Places
United Kingdom
33
England
25
Europe
14
Asia
6
China
6
Cymru
6
Wales
6
Thames
5
Cambridge
3
Greater London
3
London
3
Northumberland
3
Barnard Castle
2
Battersea
2
Cambridgeshire
2
Durham
2
Kent
2
Norwich
2
York
2
Alamgir Mosque
1
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Associated Places
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
2
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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102
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Materials & Techniques
watercolor
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Yale Center for British Art, Paul Mellon Collection
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Date
1793
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
4
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
5
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
6
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
7
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
8
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
9
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
10
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
11
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
12
William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
13
William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
14
William Blake, 1757–1827
Visions, Frontispiece (Plate 1)
1793
15
William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
16
William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
17
William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
18
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
19
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
20
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
21
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
22
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
23
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
24
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
25
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
26
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
27
John Varley, 1778–1842
Merida, Spain
undated
28
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
29
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
30
John Varley, 1778–1842
Landscape with a Clump of Trees near a Road and a Stream
undated
31
pupil of John Varley, 1778–1842
On the Thames
undated
32
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
33
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
34
John Varley, 1778–1842
Millbank
undated
35
John Varley, 1778–1842
View of New Street, near London Bridge
undated
36
John Varley, 1778–1842
View of York
undated
37
John Varley, 1778–1842
Farm House with a Well
undated
38
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
39
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
40
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
41
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
42
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
43
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
44
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
45
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
46
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
47
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
48
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
49
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
50
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
51
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
52
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
53
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
54
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
55
John Varley, 1778–1842
Barnard Castle, County Durham
undated
56
imitator of John Varley, 1778–1842
River Landscape
undated
57
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
58
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
59
John Varley, 1778–1842
London from the Thames
undated
60
pupil of John Varley, 1778–1842
A Village Street
undated
61
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
62
John Varley, 1778–1842
Cattle Watering at Sunset
undated
63
John Varley, 1778–1842
River Landscape with Figures
undated
64
John Varley, 1778–1842
A Romantic Landscape
undated
65
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
66
John Varley, 1778–1842
Norwich
undated
67
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
68
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
69
John Varley, 1778–1842
Linlithgow Palace
undated
70
John Varley, 1778–1842
Romantic Composition
undated
71
Richard Crosse, 1742–1810
Amelia de Lautour
1793
72
Richard Crosse, 1742–1810
Peter de Lautour
1793
73
Richard Crosse, 1742–1810
Joseph de Lautour
1793
74
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
75
James Ward, 1769–1859
Mother and Infant
ca. 1798
76
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
77
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
78
John Varley, 1778–1842
On the Thames
undated
79
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
80
John Varley, 1778–1842
A Castle at the Waterside
undated
81
John James Chalon, 1778–1854
Skating in the Park
undated
82
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
83
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
84
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
85
Henry William Parish, active 1792
Island of St. Pauls
1793
86
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
87
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
88
Henry William Parish, active 1792
Straits of Sunda
1793
89
Henry William Parish, active 1792
Tristan d' Acunha, January
1793
90
Henry William Parish, active 1792
Island of St. Pauls
1793
91
John Varley, 1778–1842
The Castle on the Hill
undated
92
John Varley, 1778–1842
Carnarvon Castle
undated
93
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
94
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
95
Samuel Davis, 1760–1819
Sirree
July 1793
96
John Warwick Smith, 1749–1831
Hafod: Upper Part of Cascade
1793
97
William Alexander, 1767–1816
Fort Opposite the Factory, Canton
1793
98
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793
99
William Alexander, 1767–1816
Fisherpeople on a Junk
1793
100
Thomas Daniell, 1749–1840
View of Some-Cheon on French Island
between 1793 and 1794
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