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Materials & Techniques wove paper

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Date 1827

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Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
Sir George Hayter Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
Sir George Hayter A Capriccio of Windsor Castle
Sir George Hayter, 1792–1871
A Capriccio of Windsor Castle
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Edward Goodall Fall of the Trees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Robert Wallis Colchester, Essex
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878
Sketches of Towns People
1827
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831
The Custom House
1827
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831
The Custom House
1827
George Fennell Robson St. Paul's from Southwark by Sunset
George Fennell Robson, 1788–1833
St. Paul's from Southwark by Sunset
ca. 1832
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
William Mulready Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book
William Mulready, 1786–1863
Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book
1827
Augustus Welby Northmore Pugin Three Sketches of: a House, A Gothic Spires and Ornamentation
Print made by Augustus Welby Northmore Pugin, 1812–1852
Three Sketches of: a House, A Gothic Spires and Ornamentation
undated
Augustus Welby Northmore Pugin Eight Groups of Designs for Gothic holy Objects
Print made by Augustus Welby Northmore Pugin, 1812–1852
Eight Groups of Designs for Gothic holy Objects
undated
Augustus Welby Northmore Pugin Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
undated
Augustus Welby Northmore Pugin The Annunciation
Print made by Augustus Welby Northmore Pugin, 1812–1852
The Annunciation
undated
Augustus Welby Northmore Pugin Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
Print made by Augustus Welby Northmore Pugin, 1812–1852
Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
undated
unknown artist Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
Print made by unknown artist
Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
undated
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
Newton Limbird Smith Fielding Hare in a Landscape
Newton Limbird Smith Fielding, 1799–1856
Hare in a Landscape
1827
Richard Parkes Bonington Pierre de Vaivre
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
Carl Trautmann Ansicht vom Schact und Tunnel unter Themse zu London
Carl Trautmann, active 1835
Ansicht vom Schact und Tunnel unter Themse zu London
1827
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1827
Thomas Goff Lupton Calais Pier - the English Packet Arriving
Print made by Thomas Goff Lupton, 1791–1873
Calais Pier - the English Packet Arriving
1827
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Cornelius Varley A Sailing Barge being loaded with Hay, December 1827
Cornelius Varley, 1781–1873
A Sailing Barge being loaded with Hay, December 1827
1827
William Daniell View from the Round Tower, Windsor Castle
William Daniell, 1769–1837
View from the Round Tower, Windsor Castle
1827
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
Capt. Thomas Hastings Sketch of Boatmen on the Shore, Ships in the Distance
Capt. Thomas Hastings, 1778–1854
Sketch of Boatmen on the Shore, Ships in the Distance
1827
William James Muller Miniyeh, (El Minya)
William James Muller, 1812–1845
Miniyeh, (El Minya)
undated
Richard Parkes Bonington Study of a Gentleman in 17th Century Costume
Richard Parkes Bonington, 1802–1828
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Augustus Welby Northmore Pugin Design for a Monstrance
Augustus Welby Northmore Pugin, 1812–1852
Design for a Monstrance
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
Augustus Welby Northmore Pugin Unidentified Townhouse in a Gothic Style
Augustus Welby Northmore Pugin, 1812–1852
Unidentified Townhouse in a Gothic Style
undated
Augustus Welby Northmore Pugin Design for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Design for a Coat of Arms
Augustus Welby Northmore Pugin, 1812–1852
Design for a Coat of Arms
undated
Augustus Welby Northmore Pugin Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
undated
Augustus Welby Northmore Pugin Bishop's Chapel Bishop Eton (built c. 1845-1850)
Print made by Augustus Welby Northmore Pugin, 1812–1852
Bishop's Chapel Bishop Eton (built c. 1845-1850)
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
Augustus Welby Northmore Pugin Sketch of the Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
Augustus Welby Northmore Pugin Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
Alfred Diston Square in the Village of Los Silos, Tenerife
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Samuel Prout Figures on a Beach
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
Augustus Welby Northmore Pugin Designs for a Baptismal Font and a Tabernacle
Augustus Welby Northmore Pugin, 1812–1852
Designs for a Baptismal Font and a Tabernacle
undated
Augustus Welby Northmore Pugin Chapel of the Archbishop's Palace, Croydon: View from the East End
Augustus Welby Northmore Pugin, 1812–1852
Chapel of the Archbishop's Palace, Croydon: View from the East End
1827
Augustus Welby Northmore Pugin Design for Inkstand for Westminster No. 1, End Elevation
Augustus Welby Northmore Pugin, 1812–1852
Design for Inkstand for Westminster No. 1, End Elevation
undated
Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
Augustus Welby Northmore Pugin Design for Branch for the Speaker's Chair
Augustus Welby Northmore Pugin, 1812–1852
Design for Branch for the Speaker's Chair
undated
Augustus Welby Northmore Pugin Design for a Gothic Church Altar and Organ
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
Augustus Welby Northmore Pugin Elevation, Plan and Section of a Bell Tower
Augustus Welby Northmore Pugin, 1812–1852
Elevation, Plan and Section of a Bell Tower
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Designs for Gothic Candle Sticks and Branches
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Candle Sticks and Branches
undated
Augustus Welby Northmore Pugin Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Design for an Unidentified House: Elevations and Plans
Augustus Welby Northmore Pugin, 1812–1852
Design for an Unidentified House: Elevations and Plans
undated
Augustus Welby Northmore Pugin Designs for Gothic Hinges, Keyplates and Doorstraps
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Hinges, Keyplates and Doorstraps
undated
Augustus Welby Northmore Pugin Design for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Designs for Gothic Tables
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Tables
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church and Monastery
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church and Monastery
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin Design for a Stained Glass Window
Augustus Welby Northmore Pugin, 1812–1852
Design for a Stained Glass Window
undated
Augustus Welby Northmore Pugin Place Royale, Paris
Augustus Welby Northmore Pugin, 1812–1852
Place Royale, Paris
undated
Robert Wallis St. Maurice (vignette)
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
Samuel Cousins La Surprise
Print made by Samuel Cousins, 1801–1887
La Surprise
1827
Capt. Thomas Hastings Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Shanklin, Isle of Wight
1827
Capt. Thomas Hastings East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
1827
Capt. Thomas Hastings From Lord Henry Seymour's Pier, Isle of Wight
Capt. Thomas Hastings, 1778–1854
From Lord Henry Seymour's Pier, Isle of Wight
1827
Capt. Thomas Hastings West Cowes, 24 June 1827
Capt. Thomas Hastings, 1778–1854
West Cowes, 24 June 1827
1827