Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: cane

1. Sketch from Nature in Sion Park

Creator:: Samuel Palmer, 1805–1881
Date:: 1819
Materials & Techniques:: Oil on card
Dimensions:: 7 x 8 7/8 inches (17.8 x 22.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Winter Landscape with Figures

Creator:: George Morland, 1763–1804
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/2 x 36 1/2 inches (72.4 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1786
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Children in an Interior

Creator:: Arthur Devis, 1712–1787
Date:: ca. 1743
Materials & Techniques:: Oil on canvas
Dimensions:: 39 x 49 3/4 inches (99.1 x 126.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Harlowe Family, from Samuel Richardson's "Clarissa"

Creator:: Joseph Highmore, 1692–1780
Date:: between 1745 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/2 x 30 7/8 inches (64.8 x 78.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Drummond Family

Creator:: Johan Joseph Zoffany, 1733–1810
Date:: ca. 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 41 x 63 inches (104.1 x 160 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Winter Landscape

Creator:: George Morland, 1763–1804
Date:: 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 27 1/2 x 35 1/2 inches (69.9 x 90.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Rest on the Flight into Egypt

Creator:: John Linnell, 1792–1882
Date:: ca. 1827
Materials & Techniques:: Oil on panel
Dimensions:: 7 13/16 x 10 1/2 inches (19.8 x 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Death's Door; Plate 17

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Back View of a Soldier

Creator:: Edmund Thomas Parris, 1793–1873
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 5/16 × 1 11/16 inches (8.4 × 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A Wooded Track

Creator:: Henry Monro, 1791–1814
Date:: 1813
Materials & Techniques:: Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Scenes from Life in Paris: Man Seated and Man Carrying Basket

Creator:: Ambrose Poynter, 1796–1886
Date:: ca. 1835
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 5/16 inches (9.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Dishevelled Man Grimacing and Walking Awkwardly with a Cane: full length

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 3/4 inches (16.8 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Back View of a Man Standing with a Large Book or Case under his Left Arm and a Stick under his Right Arm

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 4 1/8 inches (14.9 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Meat Market

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Itinerant Pedlar

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Red chalk on medium, cream laid paper
Dimensions:: Sheet: 7 x 4 1/8 inches (17.8 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Full-length Figure of a Man Dressed in Black Holding a Walking Stick

Creator:: Robert, Frankland, baronet, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 5 1/8 inches (17.8 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Connoisseur

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Black chalk and graphite on thick, rough, cream laid paper
Dimensions:: Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Two Men, One Holding a Whip

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1754
Materials & Techniques:: Red chalk and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 1/2 inches (19.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Regency Pair: Man with Walking Stick

Creator:: James Hook, ca. 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 1/2 × 10 inches (29.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Canadian Figure Studies

Creator:: George Heriot, 1766–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 9 1/4 inches (21 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Fortune Teller

Creator:: Thomas Stothard, 1755–1834
Date:: 1827
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately think, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Line engraving, 1st published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. North East View of Dunster Castle, Somersetshire

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1800
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Spoiled Child, Scene III

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Elderly Figure with a Basket and Cane

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 1/2 inches (22.9 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Paysan des environs de Cracouie; Costume des environs de Cracouie

Creator:: Print made by Gabriel Charton, active 1810
Date:: ca. 1810
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 15 1/4 inches (26 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Mussalmaum Schoolmaster

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 15/16 x 6 9/16 inches (25.2 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Lord Harrington Leaving Mother Matthew's

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 x 11 11/16 inches (23.2 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. An Old Man Taunted by Death

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 5/8 inches (21.7 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Connoisseurs

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and red, brown and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 inches (22.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Death-Bed Scene

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 9 inches (17.1 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Vinery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink with pale brown and pale green wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 11/16 x 11 inches (19.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1789-1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 2 7/16 inches (8.2 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Nicholas Laniere

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/16 inches (30.2 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Mr. Garrick in "The Farmer's Return"

Creator:: Johann Jacobus Haid, 1704–1767
Date:: 1766
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 x 19 7/8 inches (43.2 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Man Buying Snuff

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Pawnbroker with His Client

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 13/16 x 11 1/8 inches (22.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Miseries of the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 13/16 x 8 3/4 inches (17.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Captain Barclay's Rally Match - The Finish

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on thick, moderately textured, wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/16 inches (14.4 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Scene Illustration: Milton's 'L'Allegro'

Creator:: Print made by Benjamin Fawcett, 1808–1893
Date:: between 1860 and 1885
Materials & Techniques:: Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card
Dimensions:: Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Sunday Morning, A Cottage Family Going to Church

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Les Plaisirs Paternels

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Free Natives of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1780
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Samuel Foote Esq.

Creator:: Print made by John Blackmore, active 1740–1780
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 13/16 × 13 inches (45.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Full Blown Macaroni

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1772
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.8 x 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Newstead Abbey, The Seat of the Late Lord Byron

Creator:: Louis Haghe, 1806–1885
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Free Natives of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1780
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 13 5/16 inches (50.2 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Syce or Groom

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Chromolithograph on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 7/8 x 6 1/16 inches (25.1 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. David Cox

Creator:: Print made by Samuel Bellin, 1799–1894
Date:: undated
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 1/2 x 16 9/16 inches (52 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Augur's Lake, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Register Office for the Hiring of Servants

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Old Lady with Basket of flowers

Creator:: Edward Edwards, 1738–1806
Date:: ca. 1760
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 8 1/2 inches (26.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Studies of Rows of Spectators

Creator:: John Brown, 1749–1787
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. An Old Woman Carrying a Basket

Creator:: John Augustus Atkinson, 1775–1831
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 3 3/8 inches (12.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Caricature of Beau Nash

Creator:: Robert, Frankland, baronet, 1784–1849
Date:: 1802
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Gil Blas Practicing Medicine Under Dr. Sangrado

Creator:: Thomas Uwins, 1782–1857
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Robert Haldane, Esq.

Creator:: George Clint, 1770–1854
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 1/16 × 17 1/16 inches (58.6 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Thomas Bewick

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1852
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 1/2 x 15 3/16 inches (52.1 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

Creator:: Published by Arnold Fawcus, 1917–1979
Date:: 1972
Materials & Techniques:: Collotype with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. Sketch from Nature in Sion Park

2. Winter Landscape with Figures

3. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

4. Children in an Interior

5. The Harlowe Family, from Samuel Richardson's "Clarissa"

6. The Drummond Family

7. Winter Landscape

8. The Rest on the Flight into Egypt

9. Death's Door; Plate 17

10. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

11. I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

12. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

13. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

14. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

15. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

16. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

17. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

18. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

19. America. A Prophecy, Plate 14, "So Cried He...."

20. Back View of a Soldier

21. A Wooded Track

22. Scenes from Life in Paris: Man Seated and Man Carrying Basket

23. A Dishevelled Man Grimacing and Walking Awkwardly with a Cane: full length

24. Back View of a Man Standing with a Large Book or Case under his Left Arm and a Stick under his Right Arm

25. The Meat Market

26. The Itinerant Pedlar

27. Full-length Figure of a Man Dressed in Black Holding a Walking Stick

28. The Connoisseur

29. Two Men, One Holding a Whip

30. A Regency Pair: Man with Walking Stick

31. Canadian Figure Studies

32. The Fortune Teller

33. Rochester

34. Alum Bay, Isle of Wight

35. Rochester

36. North East View of Dunster Castle, Somersetshire

37. The Spoiled Child, Scene III

38. Elderly Figure with a Basket and Cane

39. The Vicar Selling his Horse

40. Paysan des environs de Cracouie; Costume des environs de Cracouie

41. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

42. A Mussalmaum Schoolmaster

43. Lord Harrington Leaving Mother Matthew's

44. An Old Man Taunted by Death

45. The Connoisseurs

46. A Death-Bed Scene

47. The Vinery

48. View of Thuilleries and Bridge taken from the Quay d'Orsai

49. Study

50. Nicholas Laniere

51. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

52. Mr. Garrick in "The Farmer's Return"

53. A Man Buying Snuff

54. A Pawnbroker with His Client

55. The Miseries of the Country

56. Captain Barclay's Rally Match - The Finish

57. The Exhibition Stare-Case, Somerset House

58. Scene Illustration: Milton's 'L'Allegro'

59. Sunday Morning, A Cottage Family Going to Church

60. Les Plaisirs Paternels

61. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

62. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

63. Rochester

64. Free Natives of Dominica

65. Samuel Foote Esq.

66. The Full Blown Macaroni

67. Newstead Abbey, The Seat of the Late Lord Byron

68. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

69. Beeston Priory, Beeston Regis

70. Free Natives of Dominica

71. A Syce or Groom

72. David Cox

73. Augur's Lake, Gap of Dunloh, 6 September 1841