Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
5
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
6
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
7
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
8
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
9
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
10
Print made by James Basire the younger, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
11
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
12
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
13
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
14
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
15
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
16
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
17
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
18
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
19
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
20
Print made by James Basire the younger, 1769–1822
PLATE XV. Elevation of a Window Bay &c
1805
21
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
22
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
23
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
24
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
25
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
26
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
27
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
28
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
29
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
30
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
31
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
32
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
33
Print made by Thomas Shotter Boys, 1803–1874
Westminster Abbey, Hospital &c
1842
34
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
35
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
36
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
37
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
38
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
39
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
40
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
41
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
42
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
43
Attributed to John Carter, 1748–1817
Springing of groins
1815
44
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
45
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
46
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
48
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
49
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
50
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
51
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
52
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
53
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
58
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
60
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
67
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
71
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
72
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
73
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
74
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
75
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
76
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
77
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
78
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
79
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
80
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
81
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
82
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
83
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
87
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
88
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
89
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
90
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
91
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
92
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch