View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
4
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
5
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
6
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
7
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
8
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
9
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
10
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
11
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
12
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
13
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
14
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
15
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
16
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
17
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
18
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
19
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
20
Print made by William Ward, 1766–1826
The Snake in the Grass
1802
21
Print made by Charles Wilkin, 1750–1814
The Right Honourable The Countess of Euston
1802
22
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Catherine Howard
1802
23
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
24
unknown artist
Cupid in Search of Venus' Dove, Prior's Poems, Vol. II
1802
25
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
26
Print made by William Daniell, 1769–1837
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
27
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
28
Print made by William Say, 1768–1834
The Cottar's Door
1802
29
John Scott, 1774–1828
Prior, Love Disarmed, vol. II
1802
30
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
31
Cornelius Varley, 1781–1873
Carnarvon
1802
32
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
33
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
34
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
35
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
36
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
37
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
38
James de Carle Sowerby, 1787–1871
Zebra
undated
39
James de Carle Sowerby, 1787–1871
A Parrot
undated
40
James de Carle Sowerby, 1787–1871
Three Toucans
undated
41
James de Carle Sowerby, 1787–1871
A Parrot
undated
42
James de Carle Sowerby, 1787–1871
A Crane
undated
43
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
44
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
45
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
46
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
47
Samuel Rawle, 1771–1860
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
1802
48
Samuel William Reynolds, 1773–1835
Lord Hugh Seymour
1802
49
James de Carle Sowerby, 1787–1871
Heads of Two Proboscis Monkeys
undated
50
James de Carle Sowerby, 1787–1871
A Parrot
undated
51
James de Carle Sowerby, 1787–1871
A Parrot
undated
52
Edward Francis Burney, 1760–1848
Farmhouse
1802
53
Print made by S. Porter, active 1802
Durham Cathedral
1802
54
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
55
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
56
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
57
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
58
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
59
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
60
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
61
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
62
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
63
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
64
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
65
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
66
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
67
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
68
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
69
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
70
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
71
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
72
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
73
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
74
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
75
James Hook, ca. 1772–1828
A Regency Pair
1802
76
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
77
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
78
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
79
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
80
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
81
unknown artist
Light Head Dress and Long Petticoats
1802
82
George Clint, 1770–1854
General James Stuart
1802
83
Sir Robert Smirke the younger, 1781–1867
Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden
1802-1804
84
Sir Robert Smirke the younger, 1781–1867
Sir Robert Smirke's Continental Tour
1802-1804
85
Sir Robert Smirke the younger, 1781–1867
The Ruins of the Arsenal From the Place de St. Michel
1802
86
Sir Robert Smirke the younger, 1781–1867
Paris From the Hospital of Bicêtre
1802-1804
87
Sir Robert Smirke the younger, 1781–1867
The Street of the Monte de Capucins, Lyon
1802-1804
88
Sir Robert Smirke the younger, 1781–1867
Arles, France
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Castel Sant' Angelo
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
The Site of Cicero's Villa in Tusculum
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Temple of Athena
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Chapel Near Cori
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
La Cava
1802-1804
94
Sir Robert Smirke the younger, 1781–1867
View From Cori Towards Villetri
1802-1804
95
Sir Robert Smirke the younger, 1781–1867
Entrance to Cori
1802-1804
96
Sir Robert Smirke the younger, 1781–1867
Study of Figures and Busts on the Pediments of Temples