A Morning at Tattersalls (with further sketches in left margin folded over)
undated
4
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
5
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
6
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
7
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
8
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
9
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
10
attributed to Peter DeWint, 1784–1849
Building a Stack (Study for Carrying Hay)
undated
11
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
12
Robert Hills, 1769–1844
A Village Snow Scene
1819
13
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
14
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
15
Print made by Johann Jacobus Haid, 1704–1767
Le depart de l'Enfant Prodigue
undated
16
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
17
Thomas Gisborne, active 1798
Men Loading a Cart Beside a River
undated
18
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
19
John James Barralet, 1747–1815
View of Lucan House
1782
20
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
21
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
22
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
23
Joseph Nash, 1808–1878
Sketches of Towns People
1827
24
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
25
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
26
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
27
unknown artist
The Globe Inn
undated
28
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
29
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
30
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
31
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
32
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
33
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
34
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
35
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
36
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
37
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
38
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
39
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
40
Thomas Rowlandson, 1756–1827
A Gibbet
undated
41
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
42
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
43
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
44
Thomas Rowlandson, 1756–1827
Horses and a Cart at a Sandpit
between 1785 and 1790
45
Thomas Rowlandson, 1756–1827
The London Citizen
undated
46
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
47
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
48
Thomas Rowlandson, 1756–1827
A Cavalry Barracks
undated
49
Thomas Rowlandson, 1756–1827
A Phaeton and Six
undated
50
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
51
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
52
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
53
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
54
John Frederick Lewis, 1804–1876
Figures and Animals in a Vineyard
ca. 1829
55
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
56
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
57
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
58
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
59
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
60
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
61
Thomas Rowlandson, 1756–1827
Loading a Stage-Coach
undated
62
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
63
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
64
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
65
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
66
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
67
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
68
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
69
Charles Cooper Henderson, 1803–1877
A French Diligence of 1830
undated
70
Sir George Hayter, 1792–1871
Netting Deer in Richmond Park
undated
71
Charles Cooper Henderson, 1803–1877
Unloading the Luggage From The Exeter Coach
undated
72
Thomas Rowlandson, 1756–1827
Travelling in France
between 1785 and 1789
73
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
74
Print made by George Cruikshank, 1792–1878
Poor Little Rose
undated
75
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
76
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
77
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
78
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
79
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
80
Charles B. Newhouse, fl. c.1820–1836
An Elopement by Moonlight
1834
81
Charles B. Newhouse, fl. c.1820–1836
The London-Dumphries Royal Mail
between 1830 and 1840
82
Charles B. Newhouse, fl. c.1820–1836
The London-Dover Royal Mail, c. 1830-1840
undated
83
unknown artist
Morning
1799
84
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
85
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
86
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
87
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
88
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
89
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
90
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
91
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
92
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
93
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
94
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
95
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
96
unknown artist
Evening
1799
97
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
98
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
99
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse