<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Date 1802

Remove constraint Date: 1802

Image Available Available

Remove constraint Image Available: Available

Search Results

John Constable Lane near Dedham
John Constable, 1776–1837
Lane near Dedham
1802
Not on view
John Constable Dedham Vale
John Constable, 1776–1837
Dedham Vale
1802
Not on view
Joseph Mallord William Turner Tummel Bridge, Perthshire
Joseph Mallord William Turner, 1775–1851
Tummel Bridge, Perthshire
between 1802 and 1803
Not on view
Joseph Mallord William Turner Chateaux de St. Michael, Bonneville, Savoy
Joseph Mallord William Turner, 1775–1851
Chateaux de St. Michael, Bonneville, Savoy
1802 to 1803
Not on view
Jacques-Laurent Agasse Nine Greyhounds in a Landscape
Jacques-Laurent Agasse, 1767–1849
Nine Greyhounds in a Landscape
ca. 1807
Not on view
James Ward Landscape with Cottages
James Ward, 1769–1859
Landscape with Cottages
between 1802 and 1827
Not on view
Ramsay Richard Reinagle An Ornithologist, Possibly John Latham
Ramsay Richard Reinagle, 1775–1862
An Ornithologist, Possibly John Latham
1802
Not on view
James Ward An Overshot Mill
James Ward, 1769–1859
An Overshot Mill
between 1802 and 1807
Not on view
unknown artist Avenue with Figures
unknown artist
Avenue with Figures
ca. 1807
Not on view
Daniel Turner Lambeth Palace from the West
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
Benjamin Marshall The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
Benjamin Marshall, 1768–1835
The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802
Not on view
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
Paul Sandby A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
Cornelius Varley Tygwyn Ferry
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
Cornelius Varley Carnarvon Castle
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
Patrick Nasmyth Netley Abbey
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
James Basire the younger Inside View of the East End of Merton College Chapel
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
John Glover The Thames at Isleworth
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
Thomas Girtin View of the Pantheon, Paris
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
John Varley View of Chepstow Castle, Monmouthshire, from Under the Bridge
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
James de Carle Sowerby A Parrot
James de Carle Sowerby, 1787–1871
A Parrot
undated
James de Carle Sowerby Zebra
James de Carle Sowerby, 1787–1871
Zebra
undated
James de Carle Sowerby Three Toucans
James de Carle Sowerby, 1787–1871
Three Toucans
undated
James de Carle Sowerby A Parrot
James de Carle Sowerby, 1787–1871
A Parrot
undated
James de Carle Sowerby A Crane
James de Carle Sowerby, 1787–1871
A Crane
undated
William Alexander Conway, North Wales: The Castle and the Old College House
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
Patrick Nasmyth Battersea Fields, Painted for Charles Matthews, Esq.
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
Thomas Girtin View of the Pantheon from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
John William Upham The Abbey Barn, Abbotsbury
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
Sir George Howland Beaumont seventh Baronet Lane with Figures, May 1802
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
James Malton Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
Henry Fuseli O Evening thou Bringest All
Print made by Henry Fuseli, 1741–1825
O Evening thou Bringest All
1802
William Ward Sailors Conversation
William Ward, 1766–1826
Sailors Conversation
1802
Joseph Samuel Alpenny Two Travellers Watering Three Horses
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
Charles Bestland Portraits of the Royal Academicians
Charles Bestland, 1763–ca. 1837
Portraits of the Royal Academicians
1802
Henry Fuseli A Woman Sitting by the Window (Evening thou Bringest All)
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802, published 1806
Charles Williams The Tractors
Charles Williams, active 1796–1830
The Tractors
1802
Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check
1802
Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry
1802
Thomas Girtin Sandsend, Yorkshire
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
William Daniell Nathaniel Marchant, R.A.
Print made by William Daniell, 1769–1837
Nathaniel Marchant, R.A
between 1802 and 1814
William Daniell Henry Howard
Print made by William Daniell, 1769–1837
Henry Howard
between 1802 and 1814
William Daniell Thomas Hardwick
Print made by William Daniell, 1769–1837
Thomas Hardwick
between 1802 and 1814
Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home
1802
Thomas Rowlandson The Monstrous Craw; or a New Discovered Animal
Print made by Thomas Rowlandson, 1756–1827
The Monstrous Craw; or a New Discovered Animal
1802
Charles Williams Close Shaveing or the will our own way
Charles Williams, active 1796–1830
Close Shaveing or the will our own way
1802
Charles Williams Theatrical Doctors recovering Clara's Notes!
Charles Williams, active 1796–1830
Theatrical Doctors recovering Clara's Notes!
1802
unknown artist How to Obtain a Request
unknown artist
How to Obtain a Request
1802
James Gillray Tales of wonder
James Gillray, 1756–1815
Tales of wonder
1802
Anker Smith Samuel Johnson
Anker Smith, 1759–1819
Samuel Johnson
1802
Daniel Turner View of Blackfriars Bridge and St. Paul's from the Patent Shot Manufactory on the South Side of the River
Daniel Turner, active 1782–1805
View of Blackfriars Bridge and St. Paul's from the Patent Shot Manufactory on the South Side of the River
1802
Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel
1802
Charles Williams Two Pair of Candidates Proposed to the Independant Electors of Middlesex
Charles Williams, active 1796–1830
Two Pair of Candidates Proposed to the Independant Electors of Middlesex
1802
unknown artist The Remarkable Dirty Warehouse in Leadenhall Street
unknown artist
The Remarkable Dirty Warehouse in Leadenhall Street
1802
Charles Williams English Patriots Bowing at the Shrine of Despotism
Charles Williams, active 1796–1830
English Patriots Bowing at the Shrine of Despotism
1802
Charles Williams The Norwich Bull-Bait
Charles Williams, active 1796–1830
The Norwich Bull-Bait
1802
Charles Williams A Brighton Breakfast or Morning Comforts
Charles Williams, active 1796–1830
A Brighton Breakfast or Morning Comforts
1802
Francis Jukes Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
Print made by Francis Jukes, 1747–1812
Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
1802
James Ward A Hog, Sleeping
James Ward, 1769–1859
A Hog, Sleeping
ca. 1807
unknown artist Hodge Outwitted
unknown artist
Hodge Outwitted
1802
James Gillray "all Bond Street trembled as he strode"
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
Samuel Howitt A Tigress Leaping to the Right
Samuel Howitt, 1756–1822
A Tigress Leaping to the Right
ca. 1807
Samuel Howitt Leopards at Play Among Fallen Trees and Rocks
Samuel Howitt, 1756–1822
Leopards at Play Among Fallen Trees and Rocks
ca. 1807
Samuel Howitt A Zebra
Samuel Howitt, 1756–1822
A Zebra
ca. 1807
Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
Thomas Girtin View of the City with the Louvre taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
Francesco Bartolozzi Angelica Catalani
Francesco Bartolozzi, 1728–1815
Angelica Catalani
1802
Capt. Thomas Hastings Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]
Capt. Thomas Hastings, 1778–1854
Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]
1802 to 1833
James Gillray Going to London, through "Epping Forest"
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
Charles Williams Close Shaveing, or The Will Our Own Way
Charles Williams, active 1796–1830
Close Shaveing, or The Will Our Own Way
1802
unknown artist A View of the East-India House, Leadenhall Street, London
unknown artist
A View of the East-India House, Leadenhall Street, London
1802
Charles Williams Theatrical Doctors Recovering Clara's Notes
Charles Williams, active 1796–1830
Theatrical Doctors Recovering Clara's Notes
1802
Charles Williams The Little Green Man or the Bath Bugabo, or the Widows Terror
Charles Williams, active 1796–1830
The Little Green Man or the Bath Bugabo, or the Widows Terror
1802
Charles Williams Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton
Charles Williams, active 1796–1830
Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton
1802