Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Period: 19th century

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Charles John Smith, 1803–1838

Herstmonceux Castle for the history and description of the Sussex Coast

undated

Edward Radclyffe, 1809–1863

Deepdene near Dorking

undated

William H. Hoogkamer, 1790–1864

Welgelegen:Vue du Pavillon de Harlem prise du Bois

undated

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

unknown artist

Plan of ground floor of Herstmonceux Castle

undated

William Henry Brooke, 1772–1860

Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

undated

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

1815

M. J. Starling, active 1830

Interior of the Hall at the Deepdene

undated

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by William Byrne, 1743–1805

Donnington Castle

1805

Print made by William Byrne, 1743–1805

Part of Chester Castle

1810

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lyme Regis

1814

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by Edward Goodall, 1795–1870

Venice

1830

Print made by Henry Le Keux, 1787–1868

Villa Madama, Moonlight

1830

Print made by Edward Goodall, 1795–1870

Perugia

1830

Print made by Robert Wallis, 1794–1878

Rome, Castle of St. Angelo

1830

Print made by Robert Wallis, 1794–1878

Banditti

1830

Print made by Edward Goodall, 1795–1870

Naples

1829

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

Bow and Arrow Castle, Isle of Portland

1814-1826

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1814-1826

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by Edward Goodall, 1795–1870

A Villa on the Night of a Festa di Ballo

1830

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

Print made by Daniel Allen, active 1830s

Travelling Monks

1830

Print made by Edward Alfred Goodall, 1819–1908

Court of the Palazzo Vecchio, Florence

1830

Print made by Robert Wallis, 1794–1878

Petrarch's Tomb

1830

Print made by Daniel Allen, active 1830s

The Medici Vase

1830

Print made by Daniel Allen, active 1830s

The Borghese Vase

1830

Print made by Daniel Allen, active 1830s

A Grecian Drinking Cup

1830

Print made by Daniel Allen, active 1830s

Funeral of a Doge in St. Mark's Place

1830

Print made by Frederick Christian Lewis the Elder, 1779–1856

A Young Roman Mother Admiring her Infant

1830

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1814 to 1826

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Period 19th century

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Period 19th century

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