<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Subject Terms trees

Remove constraint Subject Terms: trees

Search Results

William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
George Romney Eartham Wood
George Romney, 1734–1802
Eartham Wood
between 1749 and 1802
George Romney Glade in a Forest
George Romney, 1734–1802
Glade in a Forest
undated
George Romney Landscape, Possibly Eartham
George Romney, 1734–1802
Landscape, Possibly Eartham
undated
George Romney Landscape
George Romney, 1734–1802
Landscape
undated
George Romney Glade of Trees
George Romney, 1734–1802
Glade of Trees
undated
George Romney Sketch of Trees
George Romney, 1734–1802
Sketch of Trees
undated
George Romney Wooded Landscape
George Romney, 1734–1802
Wooded Landscape
undated
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
John Martin Mountainous Landscape with Figures and a Rock Above a Lake
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated
John Maurer The Rotunda and Gardens, Ranelagh
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809
View in Wales
undated
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812
Road Between Hills
undated
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
John Preston Neale Addington Place, Surrey
John Preston Neale, 1771/80–1847
Addington Place, Surrey
1813
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
William Marlow Oxcart in the Grotto at Posillipo
William Marlow, 1740–1813
Oxcart in the Grotto at Posillipo
ca. 1770
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
Hannah Linnell Palmer Bridge at Corpo di Cava
Hannah Linnell Palmer, 1818–1893
Bridge at Corpo di Cava
1838
Alexander Monro Boxhill from West Humble Lane
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
Alexander Monro Landscape at Boxhill, Surrey
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
Alexander Monro Classical Landscape
Alexander Monro, 1802–1844
Classical Landscape
undated
John Monro Capel Church, Near Dorking, Surrey
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
John Monro Farm Building
John Monro, 1801–1880
Farm Building
undated
Dr. Thomas Monro Composition: Italian Seascape Effect
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
Dr. Thomas Monro Landscape with Trees and two Figures
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
William Payne View at Caernarvon, Wales
William Payne, active 1850s
View at Caernarvon, Wales
1826
Henry Morton Gateway to Battle Abbey
Henry Morton, ca. 1807–1825
Gateway to Battle Abbey
after 1819
Nicholas Pocock View from Ashton Meadows, Bristol
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
Joseph Powell Dunster Castle, Somerset: Showing Castle in Distance
Joseph Powell, 1780–1834
Dunster Castle, Somerset: Showing Castle in Distance
undated
Thomas Priest Lambeth Palace from Across the River
Thomas Priest, active 1738–1750
Lambeth Palace from Across the River
undated
Samuel Prout Kingsteignton, Devon
Samuel Prout, 1783–1852
Kingsteignton, Devon
ca. 1819
Benjamin Thomas Pouncey Farningham, Kent
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
William Pars The Falls at Powerscourt, Co. Wicklow, Ireland
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
unknown artist Standing Woman
unknown artist
Standing Woman
undated
unknown artist Greenisland Looking Towards Carnck Castle, Belfast Lough
unknown artist
Greenisland Looking Towards Carnck Castle, Belfast Lough
undated
George Sidney Shepherd Wandshorst Church Surrey
George Sidney Shepherd, 1784–1862
Wandshorst Church Surrey
undated
unknown artist Croydon Church
unknown artist
Croydon Church
undated
Sir Horace Jones Part of Goodrich Castle
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
unknown artist Botanical Garden/ Regent's Park 10 June 44
unknown artist
Botanical Garden/ Regent's Park 10 June 44
1844
unknown artist Shanklin Church/ Isle of Wight
unknown artist
Shanklin Church/ Isle of Wight
undated
unknown artist Landscape by a Stream
unknown artist
Landscape by a Stream
undated
Robert Streatfeild Llanerchydol Hall, Wales
Robert Streatfeild, 1786–1852
Llanerchydol Hall, Wales
undated
unknown artist Great Oakley Hall, Northamptonshire
unknown artist
Great Oakley Hall, Northamptonshire
ca. 1840
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
unknown artist Design for a Greenhouse at Kew Gardens
unknown artist
Design for a Greenhouse at Kew Gardens
undated
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
George Lothian Hall The South Barracks, Gibraltar
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
J. Hadley The Severn-Henbury Village and Blaize Castle from the road in the Mill
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
Sir George Howland Beaumont seventh Baronet Trees, Near Lausanne
Sir George Howland Beaumont seventh Baronet, 1753–1827
Trees, Near Lausanne
1782
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
Sir George Howland Beaumont seventh Baronet Two Figures by the Side of a Pond and a Church in a Hilly Landscape
Sir George Howland Beaumont seventh Baronet, 1753–1827
Two Figures by the Side of a Pond and a Church in a Hilly Landscape
undated
Sir James Guthrie Landscape with Trees
Sir James Guthrie, 1859–1930
Landscape with Trees
undated
Thomas Gainsborough Hilly Landscape with Figures Approaching a Bridge
Thomas Gainsborough, 1727–1788
Hilly Landscape with Figures Approaching a Bridge
ca. 1763
unknown artist Solitude, The Reading Magdalene
unknown artist
Solitude, The Reading Magdalene
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919
Romney Marsh
undated
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
John Glover Greenwich
John Glover, 1767–1849
Greenwich
undated
John Glover River with Fishermen
John Glover, 1767–1849
River with Fishermen
1792
John Glover A Yorkshire Road
John Glover, 1767–1849
A Yorkshire Road
undated