Materials & Techniques: laid paper / Genre: literary theme - YCBA Collections Search Search Results

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

George Romney, 1734–1802

"Lear in the Storm," King Lear, Act III, Scene II

undated

George Romney, 1734–1802

Lear Awakened by Cordelia

between 1774 and 1775

George Romney, 1734–1802

Miranda, Prospero, and Caliban: The Tempest

undated

George Romney, 1734–1802

Prospero and Miranda

ca. 1787

George Romney, 1734–1802

Standing Figure, Probably for Lady Macbeth

undated

George Romney, 1734–1802

Daphnis and Chloe

undated

George Romney, 1734–1802

John Henderson as Falstaff

1780

George Romney, 1734–1802

Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)

undated

George Romney, 1734–1802

Lear Awakened by Cordelia

ca. 1774

George Romney, 1734–1802

Sketch for Canidia and the Youth

undated

George Romney, 1734–1802

Tempest, Version A

undated

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

James Northcote, 1746–1831

Study for Burying the Royal Children

ca. 1790

Theodor von Holst, 1810–1844

Sheet of Sketches

undated

Theodor von Holst, 1810–1844

Prospero Watching Ferdinand and Miranda

ca. 1840

Thomas Carwitham, active 1723

Ceres and Abas: Ovid, Metamorphoses, Book 5

ca. 1723

Thomas Carwitham, active 1723

Illustration to Homer's Iliad

1723

Samuel De Wilde, 1748–1832

Head of a Man with a Beard and Long Hair in the Wind

1786

Robert Smirke, 1752–1845

Falstaff at Herne's Oak

1807

Robert Smirke, 1752–1845

Prospero and Ariel

1821

Richard Parkes Bonington, 1802–1828

Studies for Shylock

1825

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Print made by John Jones, ca. 1745–1797

The Honble Mrs. Tollemache, in the Character of Miranda

1786

Print made by John Ogborne the Elder, 1755–1795

Mrs. Jordan in the Character of the Romp

1788

Print made by Robert Dunkarton, 1744–1811

Mrs. Jordan as L'Allegro

1771

Print made by Robert Dunkarton, 1744–1811

Mrs. Yates as 'Melancholy' in 'Il Penseroso'

1771

Print made by Prince Rupert, 1619–1682

The Little Executioner

ca. 1662

Print made by Prince Rupert, 1619–1682

The Great Executioner

1658

Print made by John Finlayson, 1730–1776

David Garrick in the Character of 'Kitely'

1769

Print made by Edward Fisher, 1722–1785

Garrick Between Tragedy and Comedy

undated

Print made by James Watson, 1740–1790

Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'

between 1762 and 1764

Print made by William Dickinson, 1746–1823

Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

1780

Print made by Thomas Watson, 1743–1781

Miss Elizabeth Beauclerc as 'Una'

1782

Print made by John Dean, 1754–1798

Phoebe Hoppner as Caroline de Lichtfield

1786

Print made by John Dixon, ca. 1740–1811

David Garrick as Richard III

1772

Print made by Robert Dunkarton, 1744–1811

Joseph Sold by his Brethren

1782

Print made by Francis Haward, 1759–1797

Cymon and Iphigenia

1797

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by John Young, 1755–1825

Clara at the tomb of Eloisa

1786

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

George Augustus Sala, 1828–1895

Mefistofile II

1880

Print made by Francis Haward, 1759–1797

Mrs. Siddons, in the Character of the Tragic Muse

1787

James Northcote, 1746–1831

Macbeth and the Witches

between 1777 and 1778

John Hamilton Mortimer, 1740–1779

Literary Characters Assembled Around the Medallion of Shakespeare

1776

Philippe-Jacques de Loutherbourg, 1740–1812

Thomas Weston as Spy in Bates "The Rival Candidates"

undated

Michael "Angelo" Rooker, 1746–1801

Illustration to Beaumont and Fletcher

undated

Alexander Runciman, 1736–1785

Celadon and Amelia from Thomson's 'The Seasons'

undated

Sir David Wilkie, 1785–1841

Scene from Quentin Durward

1833

Robert Smirke, 1752–1845

Falstaff in the Boar's Head

1807

James Watson, 1740–1790

L'Allegro

undated

Thomas Rowlandson, 1756–1827

Henderson in the Character of Falstaff

undated

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Print made by Jean B. Michel, active 1803

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

1791

John Massey Wright, 1777–1866

The Rustics Perform from "A Midsummer Night's Dream"

undated

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Sawrey Gilpin, 1733–1807

Study for "Gulliver's Travels"

undated

John Michael Rysbrack, 1694–1770

Illustration to the Iliad

between 1760 and 1769

Samuel Howitt, 1756–1822

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Samuel Howitt, 1756–1822

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745